| Project/Area Number |
26884020
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| Research Category |
Grant-in-Aid for Research Activity Start-up
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| Allocation Type | Single-year Grants |
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| Research Field |
Fine art history
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| Research Institution | Tokyo National University of Fine Arts and Music |
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Principal Investigator |
IWAYA Akimi 東京藝術大学, 美術学部, 助手 (10735541)
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| Project Period (FY) |
2014-08-29 – 2016-03-31
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| Project Status |
Completed (Fiscal Year 2015)
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| Budget Amount *help |
¥2,730,000 (Direct Cost: ¥2,100,000、Indirect Cost: ¥630,000)
Fiscal Year 2015: ¥1,300,000 (Direct Cost: ¥1,000,000、Indirect Cost: ¥300,000)
Fiscal Year 2014: ¥1,430,000 (Direct Cost: ¥1,100,000、Indirect Cost: ¥330,000)
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| Keywords | ゴシック / ドイツ / 建築 / リブ・ヴォールト / ファイト・シュトース / マリア図像 / ロザリオの聖母 / ニュルンベルク / 後期ゴシック / ネット・ヴォールト / 彫刻 / ゴシック彫刻 / ゴシック建築 / ドイツ美術 / ヴォールト |
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| Outline of Final Research Achievements |
In the present research project, the relationship between the Late Gothic architecture and its sculpture was studied, focusing on St. Lawrence’s Church in Nurnberg, Germany. At this church, the ribs of the choir make geometrical patterns and from the center of the vault, the wood carving “Englischer Gruss; (the Annunciation)” by Veit Stoss; is suspended, which is offered to the Rosary Devotion of the late 15th century. These architectural and sculptural elements in this choir work together to produce the sacred space iconographically and formally.
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