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1994 Fiscal Year Final Research Report Summary

The Iconography of Chinese Bird and Flower Painting

Research Project

Project/Area Number 05610048
Research Category

Grant-in-Aid for General Scientific Research (C)

Allocation TypeSingle-year Grants
Research Field Fine art history
Research InstitutionMie University

Principal Investigator

MIYAZAKI Norilo  MIE UNIVERSITY FACULTY OF HUMANITY AND SOCIAL SCIENCE ASSOCIATE PROFESSOR, 人文学部, 助教授 (20135601)

Project Period (FY) 1993 – 1994
KeywordsBird and Flower Painting / symbolism / Auspicious meaning / Iconography / Fish in the Duckweed / Lotus Pond / Professional Painters / Literati painters
Research Abstract

In China from ancient times to the present, motis of auspicious imagery have been used widely in designs on decorative and everyday objects. These designs are surprisingly consistant with subjects of traditonal bird and fower painting. Paintings of birds and flowers are not, therefor, merely photorealistic representations, but couch auspicious meanings in their motifs. This study treats Chinese bird and flower painting from the perspective of their hidden symbolism over the ages.
Many Chinese paintings of Fish in the Duckweed, Waterfowl in Lotus Pond, and Insects in Grass have been passed down over the generations in Japan. Because of their auspicious imagery, such paintings were in high demand and are though to have been continuously produced by professional painters. The reception of their auspicious imagery, however, was limited to direct examples. I trace the auspicious imagery of fish, lotus, waterfowl, and various other plants through an examination of archaeological objects, ceramics, and written historical documents. I also consider the mutual relationship between works by "literati painters" and and professional artists that share motives and double meanings. Using the iconography of bird and flower as a point of reference, instead of taking the standard approach of opposing so- called "literati" and professional painters, I illumimate in concrete terms the reception and transmission of Chinese bird and flower painting.

  • Research Products

    (5 results)

All Other

All Publications (5 results)

  • [Publications] 宮崎 法子: "中国花鳥画の意味-藻魚図・蓮池水〓図・草虫図の寓意と受容について-(上)" 美術研究. 363. 1-17 (1996)

    • Description
      「研究成果報告書概要(和文)」より
  • [Publications] 宮崎 法子: "中国花鳥画の意味-藻魚図・蓮池水〓図・草虫図の寓意と受容について-(下)" 美術研究. 364(印刷中). (1996)

    • Description
      「研究成果報告書概要(和文)」より
  • [Publications] 宮崎 法子: "元代花鳥画家王淵の制作をめぐって" 上海博物館特別展宋元絵画国際評論会報告書. (予定). (1996)

    • Description
      「研究成果報告書概要(和文)」より
  • [Publications] NORIKO MIYAZAKI: "The Iconography of Chinese Bird and Flower Painting The Roception of and Hidden Meanings in Duckweed, Water forol in Lotus Pond, and Insect in Grass, I,II" The Bijutsu Kenkyu (The Jounal of Art Studies). No.363,364. 1-17 (1996)

    • Description
      「研究成果報告書概要(欧文)」より
  • [Publications] NORIKO MIYAZAKI: "A Study of Yuan Dynasty's Bird and Flower Painter, Wan Yuan" The Proceeding of the International Symposium for the special Exhibition of Shany Hai Mnseur. (in print).

    • Description
      「研究成果報告書概要(欧文)」より

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Published: 1999-03-09  

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