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1994 Fiscal Year Final Research Report Summary

Cultural Trades between the Kushan Dynasty and the Chinese Western Regions

Research Project

Project/Area Number 05610301
Research Category

Grant-in-Aid for General Scientific Research (C)

Allocation TypeSingle-year Grants
Research Field Asian history
Research InstitutionToyama University

Principal Investigator

ODANI Nakao  Toyama University Faculty of Humanities Professor, 人文学部, 教授 (50032173)

Project Period (FY) 1993 – 1994
KeywordsKushan Dynasty / Gandhara / Buddhist Art / Maiterya / Yogacara / Silkroad / Western Regions / Cultural Trades between East and West
Research Abstract

The Buddhist art of Gandhara is very attractive and wonderful, because of its cultural mixture of the East and West. In Gandharan art, Buddha and Bodhisattva are two main cult images. The Buddha is the Sakyamuni Buddha, the founder of Buddhism. His images were represented in monastic robe, simply but finely in Hellenistic style. Bodhisattva means the state of Sakyamuni's life before attaining enlightment, and his image were represented as an Indian prince, richly dressed up with jewels.
Thus, the iconography of Gandharan art is much easier to understand than of the later Mahayana Buddhism. However, we have to add another Bodhisattva to the Gandharan cult images, Maitreya, a future Buddha. As for the origin of Maitreya belief, I insist that it might have been a foreign impact on the Buddhist tradition, especially from Iranian notion of the cosmic savior (Zoroastrain messianic thought). I tried to discuss the Maitreya's origin of Gandhara, researching the biographies of Chinese pilgrims who visited Gandhara during the 4-5th Centuries A.D., as well as Gandharan monks invited by them to China.
Most of the Gandharan monks were performers of yoga (yogacara). Following their belief, yogacaras could hold a close communion with the Maitreya Budhisattva in the Tusita Heaven, if they mastered the secret of yoga exercise. Such an affinity between Gandharan yogacaras and Maitreya, would suggest to us some idea of Maitreya's origin ; when the Kushans invaded southwards in the first century A.D., the Buddhists of Gandhara would have done their best to persuade the Kushan conquerors to convert to Buddhism. In Central Asia the Kushans held their own religion akin to Zoroastrianism. The dialogue between them might result in such a syncretism as Messiah Maitreya of Buddhism. Buddhism has survived, though having lost its purity, and has been able to spread its influence from Gandhara towards the Western Regions and China.

  • Research Products

    (6 results)

All Other

All Publications (6 results)

  • [Publications] 小谷仲男: "ウシがブッダの足を舐める話-新出土のガンダーラ石彫-" 富山大学人文学部紀要. 22. 1-16 (1995)

    • Description
      「研究成果報告書概要(和文)」より
  • [Publications] 小谷仲男: "ガンダーラ彫刻にみられる建築意匠-肘木と欄楯-" 富山大学人文学部紀要. 21. 15-27 (1994)

    • Description
      「研究成果報告書概要(和文)」より
  • [Publications] 小谷仲男: "ガンダーラの瑜伽師と弥勒信仰" 富山大学人文学部紀要. 20. 1-21 (1994)

    • Description
      「研究成果報告書概要(和文)」より
  • [Publications] Nakao Odani: "A Humped Bull Licking the Feet of the Buddha : A Gandharan Relief Newly Identified." Journal of the Faculty of Humanities, Toyama University. No.22. 1-16 (1995)

    • Description
      「研究成果報告書概要(欧文)」より
  • [Publications] Nakao Odani: "Architectural Designs of Gandharan Art : Brackets and Balustrades." Journal of the Faculty of Humanities, Toyama University. No.21. 15-27 (1994)

    • Description
      「研究成果報告書概要(欧文)」より
  • [Publications] Nakao Odani: "Gandharan Monks (Yogacaras) and Maitreya, the Future Buddha." Journal of the Faculty of Humanities, Toyama University. No.20. 1-21 (1994)

    • Description
      「研究成果報告書概要(欧文)」より

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Published: 1996-04-15  

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