1997 Fiscal Year Final Research Report Summary
THE STUDY OF RESTORATION FOR THE VOTIVE PICTURE TABLETS PAINTING IN PRE MODERN TIMES (EDO PERIOD)
| Project/Area Number |
08610327
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| Research Category |
Grant-in-Aid for Scientific Research (C)
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| Allocation Type | Single-year Grants |
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| Section | 一般 |
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| Research Field |
文化人類学(含民族学・民俗学)
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| Research Institution | Gangoji Institute For Cultural Property |
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Principal Investigator |
DATE Hitomi Gangoji Institute for Research of Cultural Property, center for Conservation, Researcher, 保存科学センター, 研究員 (00150871)
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| Co-Investigator(Kenkyū-buntansha) |
UEDA Naomi Gangoji Institute for Research of Cultural Property, center for Conservation, Re, 保存科学センター, 研究員 (10193806)
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| Project Period (FY) |
1996 – 1997
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| Keywords | votive picture tablets painting / Kisyuu Thosyogu / stop peeling off the paints / private painters / Dousa (dissolving alumi with glue water) / glue / paints / group of Thosyogu |
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| Research Abstract |
We investegated the votive picture tablets painting which have taken restorations and Kisyuu Thosyogu's votive picture tablets, continuously as last year. We found through the investgation of kisyuu Thosyogu's tablets, all of them were restorated by private painters of the Kishyuu clan.
There is different cercumstance between inherited paintings, fine arts and votive picture tablets. The votive picture tablets painting were in natural condition in temples and shrines, and they were dedicated for thanks or wishes so people hardly consider about restorations. So restoration technique, method, materials were not standardized and the restorations have many problems. Restorations caused destruction or loseing of original painting.
The private painters of the Kisyuu clan restorated the votive picture tablets conventionally, but they had to use other way as useual. For example, to stop peeing off the paints. Even if painters understood just to supply glue to stop peeling off, they had trial and error to supply glue to find collect way. The ones which were templetely repainting after removeing original paints have remained good condition still now, but others which were traced the original painting faithfully or to stop pelintg off the paints were in bad condition.
I think that were caused by the way of restoration and the painters skill of restoration might be a cause, too.
And the flames of votive picture tablets were sometimes renewed when they were restorated.
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