2000 Fiscal Year Final Research Report Summary
THE ASPECTS OF KALAVINKA AS A MOTIF IN AMITABHA'S PURE LAND-THE IMAGE OF THE FIGURE-HEADED BIRD AND THE WINGED FIGURE IN THE EAST AND ITS CHINESE ACCEPTANCE-
| Project/Area Number |
10610052
|
|---|
| Research Category |
Grant-in-Aid for Scientific Research (C)
|
| Allocation Type | Single-year Grants |
|---|
| Section | 一般 |
|---|
| Research Field |
美学(含芸術諸学)
|
|---|
| Research Institution | TOKYO NATIONAL RESEARCH INSTITUTE OF CULTURAL PROPERTIES |
|---|
Principal Investigator |
KATSUKI Gen'ichiro TOKYO NATIONAL RESEARCH INSTITUTE OF CULTURAL PROPERTIES, DEPARTMENT OF ARCHIVES, SENIOR RESEARCHER, 情報試料部, 主任研究官 (50249918)
|
|---|
| Co-Investigator(Kenkyū-buntansha) |
HATTORI Tosaku HIROSHIMA CITY UNIVERSITY, FACULTY OF ART, PROFFESSOR, 芸術学部, 教授 (50218509)
HIGUCHI Akira SAITAMA UNIVERSITY, FACULTY OF EDUCATION, PROFFESSOR, 教育学部, 教授 (60015287)
|
|---|
| Project Period (FY) |
1998 – 2000
|
| Keywords | KALAVINKA / JIVAJIVA / WINGED FIGURE / AMITABAHA'S PURE LAND / SUPARNA / GARUDA / FIGURE-HEADED BIRD / APSARAS |
|---|
| Research Abstract |
1. The Image of Kalavinka
KATSUKI deals with art, design and architecture in China and studies the iconography of Kalavinka, Jivajiva and Garuda. He studies the iconography of the Apsaras and Kalavinka of the bracket in the Kaiyuansi Temple, Quanzhou, Fujian. He deals with the idea of Jivajiva and formation process in China before the Tang dynasty. He studies the iconography of the Garuda and its classification in ancient Kutcha. Finally, regarding "the figure-headed bird" and "the winged figure", summarizes the study of Kalavinka and its future prospects.
2. Kalavinka Playing the Musical Instruments and Performing, and the Court Dance and Music "Karyobin"
HIGUCHI studies the musical instruments in Tang dynasty dealing with the mural paintings of the cave temples in China. And he focuses on the Court Dance and Music "Karyobin", and discusses its music style. the Court Dance and Music
3. The Design with Images related to Kalavinka
HATTORI studies the palettes with the paradise and the banquet and the tiles with the Apsaras in Ghandhara, and the emperor's chair with the winged beast in the Assyro-Urartian style. He clears the images of the winged figure and beast in the West Asia and India.
|
