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2000 Fiscal Year Final Research Report Summary

Study on the characteristic of the early modern paintings from the viewpoint of genre expression

Research Project

Project/Area Number 10610059
Research Category

Grant-in-Aid for Scientific Research (C)

Allocation TypeSingle-year Grants
Section一般
Research Field Fine art history
Research InstitutionKyoto Institute of Technology

Principal Investigator

NAMIKI Seishi  Kyoto Institute of Technology, Dept.of Architecture and Design, Associate Professor, 工芸学部, 助教授 (50211446)

Co-Investigator(Kenkyū-buntansha) SATO Miki  Mie Prefectural Art Museum, Curator, 学芸員(研究職)
MORI Rie  Kyoto Prefectural University, Dept.of Environmental Design, Associate Professor, 人間環境学部, 助教授 (00269820)
YAMAOKA Taizo  kansai University, Faculty of Letters, Professor, 文学部, 教授 (50067576)
SANEKATA Yoko  Sen-oku Hakuko Kan, Curator, 学芸員(研究職)
Project Period (FY) 1998 – 2000
KeywordsGenre paintings / Kosode / Tagasode-zu / Rakuchu Rakugai zu / Muromachi Period / Totomi Hideyoshi / 豊臣秀吉 / 酒飯論絵巻
Research Abstract

We, whole investigators showed by this research that the characteristic of the early modem paintings became clear by examining a genre expression. Observing the clothes and the clothes depicted in the paintings, we have reached some conclusions as follows.
Head lnvestigator, Namiki cleared that the Shuhanron emaki which makes the manners of eat and drink a main subject is one of the origins of genre painting. Ms. Mori researched the kosode robes depicted in the genre paintings from the end of Muromachi period to early Edo period. And she cleared several functions of the kosode robes in that period. Ms. Sato examined the development of the genre of screen paintingagasode-zu produced primarily in the early Edo period. She pointed out that the increased interest and appreciation in kimono in that period is important factor of this development.

  • Research Products

    (11 results)

All Other

All Publications (11 results)

  • [Publications] 並木誠士: "近世初期風俗画の源流としての酒飯論絵巻"藝術研究(広島芸術学会). 12号. 1-13 (1999)

    • Description
      「研究成果報告書概要(和文)」より
  • [Publications] 並木誠士: "霊地から天下へ:洛中洛外図の成立とその機能"美術史学(韓国美術史教育学会). 13号. 89-112 (1999)

    • Description
      「研究成果報告書概要(和文)」より
  • [Publications] 山岡泰造: "退蔵院方丈の渡辺了慶の障壁画"関西大学博物館紀要. 5号. 124-130 (1999)

    • Description
      「研究成果報告書概要(和文)」より
  • [Publications] 山岡泰造: "絵画史における中国と日本(四)-絵画のコレクションについて"関西大学東西学術研究所紀要. 33号. 61-76 (2000)

    • Description
      「研究成果報告書概要(和文)」より
  • [Publications] 森 理恵: "雁金屋『慶長七年御染地立帳』にみる衣服の性別"風俗史学(風俗史学会). 139号. 19-35 (1999)

    • Description
      「研究成果報告書概要(和文)」より
  • [Publications] 森 理恵: "上杉神社所蔵「雪持柳模様胴服」の制作時期と所用者をめぐる一考察"美術史(美術史学会). 148号. 183-198 (2000)

    • Description
      「研究成果報告書概要(和文)」より
  • [Publications] 森 理恵: "室町時代末期から桃山時代における武家少年の衣服"服飾美学(服飾美学会). 30号. 17-32 (2000)

    • Description
      「研究成果報告書概要(和文)」より
  • [Publications] 佐藤 美貴: "「誰ヶ袖図」の成立過程に関する考察"美學(美學会). 194号. 24-34 (1998)

    • Description
      「研究成果報告書概要(和文)」より
  • [Publications] 佐藤 美貴: "The Development of Tagasode-zu as a Genre of Screen Painting"Acthetics(美學会). 9号. 75-85 (2000)

    • Description
      「研究成果報告書概要(和文)」より
  • [Publications] 実方 葉子: "日吉山王祭礼図を読む-海北友雪の創意と戦略-"泉屋博古館紀要. 16巻. 103-130 (1999)

    • Description
      「研究成果報告書概要(和文)」より
  • [Publications] 実方 葉子: "神話なき神話-絵所領土佐光起の遍歴-"美術フォーラム21. 1号. 35-40 (1999)

    • Description
      「研究成果報告書概要(和文)」より

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Published: 2002-03-26  

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