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2001 Fiscal Year Final Research Report Summary

Research on Japanese films reserved foreign film archives

Research Project

Project/Area Number 12571004
Research Category

Grant-in-Aid for Scientific Research (B)

Allocation TypeSingle-year Grants
Section海外学術
Research Field Fine art history
Research InstitutionKYOTO UNIVERSITY

Principal Investigator

KATO Mikiro  Kyoto University Dept. of integrated Human Studies, 総合人間学部, 助教授 (60185874)

Co-Investigator(Kenkyū-buntansha) KITANO Keisuke  Univ, of Niigata, Dept of Human Studies, Asso. P, 人文学部, 助教授 (60303096)
MIYAMOTO Yoichiro  Univ, of Tsukuba, Dept.of Lit. St. Asso. P, 文芸言語学系, 助教授 (70166205)
NAKAMURA Hideyuki  Momiyama Gakuin Univ. Dept of sociology Asso. P, 社会学部, 助教授 (00299025)
Project Period (FY) 2000 – 2001
KeywordsJapanese film / Film archive
Research Abstract

The aim of this research project is to discover and identity Japanese films considered to be lost in film history for some reasons.
Professor Mikiro Kato (University of Kyoto) did research on the early films (1890s-1930s) shot in Japan and/or shooting japanese subjects made bh European film promotions, which are reserved in the National Film Archive in Amsterdam.
Keisuke Katano (University of Niigata) did research on early japanese films(1890s-1910s) shot in Japan and /of shooring Jpanese subiects made by American film productions, which are reserved in the Library of Congress, the US.
Yoichiro Miyamoto (University of Tsukuba) did research on Japanese films reserved in the Library of Congress and the National Archive in the US. He found that the US had not returned all the Japanese films confiscated during the occupation era of Japan, in spite of the official claim.
Professor Hidsyuki Nakamura (Momoyama Gaknin University) did serearch on the relationship between Natoko, projector and the rental system of educational films by CIE during the occupation era of Japan.

  • Research Products

    (9 results)

All Other

All Publications (9 results)

  • [Publications] 中村 秀之: "ハリウッド映画へのニュースの侵入-『スミス都へ行く』と『市民ケーン』のメディア論"社会学年誌. 43号. 23-40 (2002)

    • Description
      「研究成果報告書概要(和文)」より
  • [Publications] 中村 秀之: "映画の社会哲学・一 映画がコミュニケーションでないのは、それが創造だからである"ロゴスドン. 43号. 60-61 (2001)

    • Description
      「研究成果報告書概要(和文)」より
  • [Publications] 中村 秀之: "映画の社会哲学・二 写真は写真である?"ロゴスドン. 44号. 60-61 (2001)

    • Description
      「研究成果報告書概要(和文)」より
  • [Publications] 中村 秀之: "映画の社会哲学・三 あなたが見ているこの死体・・・"ロゴスドン. 45号. 60-61 (2001)

    • Description
      「研究成果報告書概要(和文)」より
  • [Publications] 中村 秀之: "映画の社会哲学・四 動の幽霊"ロゴスドン. 46号. 60-61 (2001)

    • Description
      「研究成果報告書概要(和文)」より
  • [Publications] 中村 秀之: "映画の社会哲学・五 二つのトランプ遊び"ロゴスドン. 47号. 60-61 (2001)

    • Description
      「研究成果報告書概要(和文)」より
  • [Publications] 宮本 陽一郎: "モダンの黄昏-帝国主義文化の改体とポストモダニズムの生成"研究社. 423 (2002)

    • Description
      「研究成果報告書概要(和文)」より
  • [Publications] Hideyuki Nakamura: "Sooial Philosophy of Clnema"Logosdon. No.s43-47. 60-61 (2001)

    • Description
      「研究成果報告書概要(欧文)」より
  • [Publications] Yoichiro Miyamato: "The Dawn of Modern"Kenkyu-sha. 423 (2002)

    • Description
      「研究成果報告書概要(欧文)」より

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Published: 2003-09-17  

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