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2003 Fiscal Year Final Research Report Summary

Art in Postfordism Age

Research Project

Project/Area Number 13610059
Research Category

Grant-in-Aid for Scientific Research (C)

Allocation TypeSingle-year Grants
Section一般
Research Field 美学(含芸術諸学)
Research InstitutionJissen Women's University (2002-2003)
Tamagawa University (2001)

Principal Investigator

SHIIHARA Nobuhiro  Jissen Women's University, Faculty of Letters, Department of Aesthetics and Art History, Associate Professor, 文学部, 助教授 (20276679)

Project Period (FY) 2001 – 2003
Keywordspost fordism / public sphere / radical democracy / association / Npo for arts / artsmanagements / public art / alternative
Research Abstract

The system of Fordism accumulation, approved by mass production and the heavy consumption, brought the high growth in postwar days and embodied the utopia of the modern art and culture.
Then, the arrival of the information-oriented society and Post Industrial Society,caused by the rapid progress of the economic globalization and the electronic media, brought the Postmodernism in 80's. Postmodernism found Multi-Culturism and globalism by the attitude concerning the skepticism for "the truth". That was the system to accept the absoluteness of consumption and market economy principle.
But, the various contradiction of Postmodernism became evident in 90's, and the alternative consciousness rises awareness. That brought the movement to rebuild a public sphere in the pluralistic civil society, and guided the conditions called radical democracy. The movement to respond to such conditions was remarkable in Arts, and many works concerning public sphere were made. Moreover, interest in the political nature of the place,where art work is installed, was enhanced. And also the critical consideration of the exhibition and asystem of museum was enhanced. This situation lead to the critical mind of the new art production system. Such mind is remarkable for the movement to manage the NPO to produce art with citizen that has a spirit of volunteerism, It will be able to be said that it means that the labor quality concerned with the art changed. In this research, we paid attention to the swiss artist Thomas Hirshhorn and Japanese artist Yoshio Shirakawa. Because they made work of art, and also new system of arts themselves.

  • Research Products

    (6 results)

All 2004 2003 2002

All Journal Article (6 results)

  • [Journal Article] フランスの文化政策の一側面 FRAC(地域圏現代美術基金)をめぐって2004

    • Author(s)
      椎原 伸博
    • Journal Title

      実践女子大学文学部紀要 第46号

    • Description
      「研究成果報告書概要(和文)」より
  • [Journal Article] 現代美術における戦略と戦術 村上隆とT.Hirshhornをめぐって2003

    • Author(s)
      椎原 伸博
    • Journal Title

      実践女子大学文学部紀要 第45号

      Pages: 39-54

    • Description
      「研究成果報告書概要(和文)」より
  • [Journal Article] On FRAC. Aspects of the French cultural policy.2003

    • Author(s)
      Nobuhiro SHIIHARA
    • Journal Title

      Bulletin of Faculty of Letters. Jissen Women's University. No.46

      Pages: 37-54

    • Description
      「研究成果報告書概要(欧文)」より
  • [Journal Article] 展覧会評 村上隆「かわいい夏休み」「Kaikai Kiki」「ぬりえ(Coloriage)」2002

    • Author(s)
      椎原 伸博
    • Journal Title

      カリスタ(東京芸術大学美学芸術論研究会発行) 第9号

      Pages: 66-75

    • Description
      「研究成果報告書概要(和文)」より
  • [Journal Article] 建築における色彩と透明性 -初期ル・コルビュジェにおける色彩をめぐって-2002

    • Author(s)
      椎原 伸博
    • Journal Title

      玉川大学文学部紀要 論叢 第42号

      Pages: 107-118

    • Description
      「研究成果報告書概要(和文)」より
  • [Journal Article] On the strategy and the tactics in the contemporary arts. Takashi Murakami and Thomas Hirshhorn.2002

    • Author(s)
      Nobuhiro SHIIHARA
    • Journal Title

      Bulletin of Faculty of Letters. Jissen Women's University. No.45

      Pages: 39-54

    • Description
      「研究成果報告書概要(欧文)」より

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Published: 2007-12-13  

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