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2003 Fiscal Year Final Research Report Summary

Reconsideration on Il prima libro del trattato delle perfette proporzioni by Vincenzo Danti

Research Project

Project/Area Number 14510080
Research Category

Grant-in-Aid for Scientific Research (C)

Allocation TypeSingle-year Grants
Section一般
Research Field Fine art history
Research InstitutionMIYAGI GAKUIN WOMEN'S UNIVERSITY

Principal Investigator

MORI Masahiko  MIYAGI GAKUIN WOMEN'S UNIVERSITY, DEPT. OF LIVERAL ARTS, PROFESSOR, 教授 (90137612)

Project Period (FY) 2002 – 2003
KeywordsVincenzo Danti / Trattato delle perfette proporzioni / Italian mannerism / Medici Principate / Cosimo I de' Medici / Giorgio Vasari / Sforza Aimeni
Research Abstract

Vincenzo Danti' s II prima libro del trattato dells perfette proporzioni~ published in Florence and dedicated to Cosimo I de' Medici in 1567, is the first art treatise on Italian mannerism. Although he was a sculptor from Perusia, he came to Florence in 155'1 and was active there until 1573. It is very probable that Danti published the treatise with the hope of being a member of Accademia Fioren tins.
Danti' s treatise has many art historical characters which were current in the Medici Pricipate in those days. It contains not only many descriptions of art anatomy that used the studies by Vesalius and Van Varberde, but also a paragone debate, ideals of grace and beauty. Two contrastive ideas, imitare and ritrarre, are derived from the conceptual structure of Aristotle' s Poetics. Thus, It would not be coincidental that Francesco de Bocchi wrote Discorso sopra l' eccellenza dell' opera del Sarto based on the Poetics in the same year.
Although Danti played an active part in the art circle of Giorgio Vasari in his early Florentine period, he could not form his original art styles. After having participated in the Neptune competition and having executed L' Onore che vince l' Inganno for Sforza Almeni, Danti gradually formed his autonomous pure mannerist style, or the art of maniera for the sake of maniera. At first glance, Il prima libro del trattato dells perfette pro porzioni seems to be an abstract art treatise. However, the author tries to show that it must be interpreted, to be an inevitable and concrete result of Danti' s art development during his period of maturity.

  • Research Products

    (8 results)

All Other

All Publications (8 results)

  • [Publications] 森雅彦: "Deborah Parker, Bronzino : Renaissance Painter as Poet"西洋美術研究. 第7号. 159-168 (2002)

    • Description
      「研究成果報告書概要(和文)」より
  • [Publications] 森雅彦: "レオポルド・メディチ、バルディヌッチと素描コレクション"西洋美術研究. 第8号. 82-115 (2002)

    • Description
      「研究成果報告書概要(和文)」より
  • [Publications] 森雅彦: "G.P.ベッローリの古典主義"科学研究費報告書『古典主義の諸相』(東北大学文学部). (印刷中). (2004)

    • Description
      「研究成果報告書概要(和文)」より
  • [Publications] 森雅彦: "前近代の美術アカデミーをめぐって-フィレンツェとローマを中心に"21世紀COEプロジェクト報告書『Academica-学の制度と規範』(京都大学文学部). (印刷中). (2004)

    • Description
      「研究成果報告書概要(和文)」より
  • [Publications] 森雅彦: "ダンティのフィレンツェ-ヴァザーリ党派の芸術家"平成14・15年度科学研究費報告書. 第9号. 1-24 (2004)

    • Description
      「研究成果報告書概要(和文)」より
  • [Publications] 森雅彦他 (共著:田中英道監修): "西洋美術史への招待"東北大学出版会. 407 (2002)

    • Description
      「研究成果報告書概要(和文)」より
  • [Publications] Masahiko Mori: "A Reconsideratio of Vincenzo Danti' a Formative Year's"Christianity and Culture: Annual of the Institute of Christian Culture. No.35. 83-125 (2001)

    • Description
      「研究成果報告書概要(欧文)」より
  • [Publications] Masahiko Mori: "incenzo Danti' a Florence: An Art Partisan of Giorglo Va sari"Report of Grant-in-Aid for Scientific Research (C). 1-24 (2004)

    • Description
      「研究成果報告書概要(欧文)」より

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Published: 2005-04-19  

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