2006 Fiscal Year Final Research Report Summary
Perceptual processes and emotional responses of music: cross-cultural investigation and cognitive modeling
| Project/Area Number |
15200019
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| Research Category |
Grant-in-Aid for Scientific Research (A)
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| Allocation Type | Single-year Grants |
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| Section | 一般 |
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| Research Field |
Cognitive science
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| Research Institution | Hokkaido University |
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Principal Investigator |
ABE Jun-ichi Hokkaido Univ., Grad. School of Let, Prof., 大学院文学研究科, 教授 (40091409)
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| Co-Investigator(Kenkyū-buntansha) |
HOSHINO Etsuko Ueno Gakuen Univ., Fac. of Music and Culture, Prof., 音楽・国際文化学部, 教授 (10219165)
ADACHI Mayumi Hokkaido Univ., Grad. School of Let., Asso. Prof., 大学院文学研究科, 助教授 (30301823)
YOSHINO Iwao Hokkaido Univ. of Education Sapporo, Fac. of Edu., Asso. Prof., 教育学部, 助教授 (60312328)
GOTO Yasuhiro Hokusei Gakuen Univ., School of Humanities, Asso. Prof., 文学部, 助教授 (30326532)
OKADA Akihiro Sapporo International Univ., School of Humanities, Asso. Prof., 人文学部, 助教授 (20337083)
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| Project Period (FY) |
2003 – 2006
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| Keywords | music / cognitive processes / emotional processes / cognitive modeling / perceptual organization |
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| Research Abstract |
This research project investigated the perceptual processes and emotional responses of music. We especially focused on the tonal organization processes of music, and executed several experimental studies on that processes as follows.
Pitch set appears to serve as a primary cue for key identification of a melody. Previous studies have proposed additional sequence properties in a melody (e.g., augmented fourth, the diminished fifth, perfect fifth and so on) that may function as further cues, however, the role of the latter in key identification is controversial. One of our experimental studies was designed to investigate what kinds of sequence properties, i.e., local properties, if any, function as reliable cues for key identification. Listeners were asked to identify keys for 450 melodies that consisted of the same pitch set but differed in sequential constraints. Using multiple discriminant analyses, we evaluated relative contributions of as many kinds of local sequence properties as possible (e.g., single intervals, single intervals in each sequential position, single pitch classes in each sequential position, and so on). The results showed that, except for the pitch class of the final tone, for which interpretation should be taken cautiously, none of local sequence properties examined contributed significantly to key identification. This finding suggests that, contrary to prior findings, key identification is derived from unidentified properties other than the specific sequence properties.
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[Journal Article] Latent cues for key identification.2004
Author(s)
Matsunaga, R., Abe, J.
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Journal Title
Proceedings of the 8th International Conference on Music Perception ＆ Cognition (In S. D. Lipscomb, R. Ashley, R. O. Gjerdingen, ＆ P. Webster (Eds.))
Pages: 315-318
Description
「研究成果報告書概要(和文)」より
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[Journal Article] Latent cues for key identification.2004
Author(s)
Matsunaga, R., Abe, J.
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Journal Title
Proceedings of the 8th International Conference on Music Perception ＆ Cognition (S. D. Lipscomb, R. Ashley, R. 0. Gjerdingen, ＆ P. Webster (Eds.))
Pages: 315-318
Description
「研究成果報告書概要(欧文)」より
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[Journal Article] Cues for perceiving a key of a melody.2003
Author(s)
Matsunaga, R., Abe, J.
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Journal Title
Proceedings of the 5th Triennial Conference of the European Society for the Cognitive Sciences of Music (In R. Kopiez, A. Lehmann, I. Wolther, ＆ C. Wolf (Eds.))
Pages: 308-311
Description
「研究成果報告書概要(和文)」より
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[Journal Article] Cues for perceiving a key of a melody.2003
Author(s)
Matsunaga, R., Abe, J.
-
Journal Title
Proceedings of the 5th Triennial Conference of the European Society for the Cognitive Sciences of Music (R. Kopiez, A.Lehmann, I. Wolther, ＆ C. Wolf (Eds.))
Pages: 308-311
Description
「研究成果報告書概要(欧文)」より
