Verification of aesthetic relevance of fictional theory in music and literature.

2017 Fiscal Year Final Research Report

• Project/Area Number: 15K02103
• Research Category: Grant-in-Aid for Scientific Research (C)
• Allocation Type: Multi-year Fund
• Section: 一般
• Research Field: Aesthetics and studies on art
• Research Institution: Shinshu University
• Principal Investigator: Ono Takashi 信州大学, 学術研究院教育学系, 准教授 (10362089)
• Co-Investigator(Kenkyū-buntansha): 山本 亮介 東洋大学, 文学部, 教授 (00339649)
• Project Period (FY): 2015-04-01 – 2018-03-31
• Keywords: 虚構理論 / 音楽美学 / 文学理論 / アヴァンギャルド / ポストモダン / 文化的コンテクスト / 作品受容構造

Outline of Final Research Achievements

The outcome of this research can be broadly divided into the following two categories. ① Common and difference structure of fictionality in music and literature, ② research on fictionality acceptance structure in cultural context.
Music art is based on the creation / expression of artistic time, which has a structure similar to "plot" in language art. Focusing on this structural similarity, this research has reached a common structural aspect which makes music work "fiction". However, we discovered a new problem that the greatest structural difference in the acceptance process of music works and literary works is the position of "Narrator" and "Substitute Speaker".
Subsequently, in accepting artworks as fiction, we analyzed the cultural context . And we analyzed the cultural context. Such as the acceptance of fictional acceptance of Wagner in the novel of the Meiji era, the decline of avant - garde music after the war and the end of post - modern.

Free Research Field

作曲、音楽理論、音楽美学