2017 Fiscal Year Final Research Report
Jazz reception in Germany during 1920/30s
| Project/Area Number |
15K02106
|
|---|
| Research Category |
Grant-in-Aid for Scientific Research (C)
|
| Allocation Type | Multi-year Fund |
|---|
| Section | 一般 |
|---|
| Research Field |
Aesthetics and studies on art
|
|---|
| Research Institution | Kyoto University |
|---|
Principal Investigator |
Akeo Okada 京都大学, 人文科学研究所, 教授 (70243136)
|
|---|
| Project Period (FY) |
2015-04-01 – 2018-03-31
|
| Keywords | ジャズ / 戦間期 / 受容史 / 20世紀音楽 |
|---|
| Outline of Final Research Achievements |
Jazz reception in Europe differs from that in America in that it was understood as “Art”, not as entertainment. On 1920/30s, the epoch in which Europe lost world hegemony by the shock of the First World War, jazz was received in Europe as a Symbol of New World/ New Epoch. It was the reason why so many classic-modern composers in Europe was so enthusiastic for jazz at that time.
|
| Free Research Field |
音楽学
|
