2018 Fiscal Year Final Research Report
A Comparative Studies of Asian Westernized Paintings--From the viewpoint of Geometry of Art
| Project/Area Number |
15K02145
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| Research Category |
Grant-in-Aid for Scientific Research (C)
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| Allocation Type | Multi-year Fund |
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| Section | 一般 |
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| Research Field |
Fine art history
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| Research Institution | Mejiro University |
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Principal Investigator |
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| Project Period (FY) |
2015-04-01 – 2019-03-31
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| Keywords | グローバル / 比較研究 / 文化移動 / 洋風画 |
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| Outline of Final Research Achievements |
It has been confirmed that the mutual artistic relationship between Europe and Asia was firstly caused by the Christian policy of expansion after the counter reformation in Europe. Persia and India, among the Asian countries, where mainly the court and the courtiers had a close contact with Europe, accepted European art seriously, though thier interest in it drastically fell back soon after their relationship with Europe became weak. As to Japan, easpecially after the prohibition of Christianity by the Tokugawa Shogunate, non-Christian subjects and European style of art intrigued only a part of painters outside the court, who produced a unique style unifying the European and Japanese, which would offer a basic knowledge and technique of Western culture and art in the Meiji period.
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| Free Research Field |
美術史
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| Academic Significance and Societal Importance of the Research Achievements |
近世アジアにおいて展開した洋風画については、ヨーロッパとアジアの個別の国の間、という切り口では従来も研究が進められてきている。このたびは、それらアジアの個別の国における西洋美術の受容の様態を相互に比較研究することにより、新たに、各国の洋風画事情の特徴をより鮮明に把握できるようになった。「影響」という言葉一つで括るにはあまりに多様なその受容の様態を詳細に観察・分析すると、グローバル時代の文化伝播を、近世のみならず、さらにグローバル化の進んだ現代においても、ヨーロッパ・アジアという大雑把なくくりで考察することの危うさが鮮明となってくる。歴史と価値の多様性に重きを置いた思考が求められている。
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