2017 Fiscal Year Final Research Report
The next generation sound design research on off record for expression
| Project/Area Number |
15K02167
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| Research Category |
Grant-in-Aid for Scientific Research (C)
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| Allocation Type | Multi-year Fund |
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| Section | 一般 |
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| Research Field |
Art at large
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| Research Institution | Tokyo National University of Fine Arts and Music |
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Principal Investigator |
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| Co-Investigator(Kenkyū-buntansha) |
松井 茂 情報科学芸術大学院大学, メディア表現研究科, 准教授 (80537077)
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| Project Period (FY) |
2015-04-01 – 2018-03-31
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| Keywords | サウンドデザイン |
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| Outline of Final Research Achievements |
Japanese cinema’s distinctive audio design that extensively uses non-synchronized dialogue (also known as looping, or dubbing), as seen in 1960s films such as “The Face of Another” and “Pinfall” (dir. Hiroshi Teshigahara), has long been appreciated overseas. This reserch discovers new potential in film audio design through its reconstruction using current audio techniques. In addition, this paper concludes that an approach is needed that comprehensively evaluates the film-to-digital transformation of audio design, as seen in the inclusion of ”audio quality” grounded in consumer perceptions to supplement qualitative criteria such as “high resolution” and “non-compression."
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| Free Research Field |
サウンドデザイン
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