2017 Fiscal Year Final Research Report
The breakthrough background of Design and Technology of Polychrome Porcelain at Arita and Imari in The middle of the 17th century
| Project/Area Number |
15K02973
|
|---|
| Research Category |
Grant-in-Aid for Scientific Research (C)
|
| Allocation Type | Multi-year Fund |
|---|
| Section | 一般 |
|---|
| Research Field |
Archaeology
|
|---|
| Research Institution | Tokyo National University of Fine Arts and Music |
|---|
Principal Investigator |
|
|---|
| Co-Investigator(Kenkyū-buntansha) |
二宮 修治 東京学芸大学, 教育学部, 名誉教授 (30107718)
|
|---|
| Research Collaborator |
SINMEN Toshiyasu
KINO Kayoko (ZUGITANI Kayoko)
FUJIKAKE Yasuhisa
|
|---|
| Project Period (FY) |
2015-04-01 – 2018-03-31
|
| Keywords | 考古学 / 肥前色絵磁器 / 17世紀中葉 / 材料 / 技術 / 意匠 / 祥瑞 / 自然科学分析 |
|---|
| Outline of Final Research Achievements |
Porcelain domestic development wasn't done until 1610 's in Japan. So, Samurais used Chinese tableware, too. But, and these design of the Hizen china and technology improved on leaps and bounds from 1640 's to the second half in 1650 's in about only 30 years. I looked for what the one with which this progress was supported. The Chinese Porcelain and Japanese ceramics had been used for long time, and these had a big influence about the design (design) on the Polychrome Porcelain in Hizen.
One of the important things is the special quality as the raw material formed out of a chemical change about porcelain clay. It was refined as the material. The material of the pigment and, technology of the design and Painting, and this progress has happened.
|
| Free Research Field |
考古学、文化財科学、博物館学
|
