Research for Naito Konan's Chinese theory of calligraphy and painting

2018 Fiscal Year Final Research Report

• Project/Area Number: 16K02156
• Research Category: Grant-in-Aid for Scientific Research (C)
• Allocation Type: Multi-year Fund
• Section: 一般
• Research Field: Chinese philosophy/Indian philosophy/Buddhist studies
• Research Institution: Kyoto University
• Principal Investigator: USAMI Bunri 京都大学, 文学研究科, 教授 (70232808)
• Co-Investigator(Kenkyū-buntansha): 竹浪 遠 京都市立芸術大学, 美術学部/美術研究科, 准教授 (70463445)
• Project Period (FY): 2016-04-01 – 2019-03-31
• Keywords: 内藤湖南 / 絵画理論

Outline of Final Research Achievements

After conducting research on Chinese paintings related to Naito Konan at Museums in Japan and abroad, and carefully reading the art of Naito Konan's theory of Chinese painting and calligraphy, and presenting the results at the international symposium, they were published as "Naito Konan's Painting Theory and Abe Collection" did. At the same time, I read the titles and postscripts about Senoku Hakkokan's and the Tokyo National Museum's collection of Chinese paintings, with curators and students from Kanto and Kansai, and not only Chinese painting specialists, but also Japanese painting students. It was meaningful, though incidental, to have been able to give instructions on Chinese Classic reading.

Free Research Field

中国哲学

Academic Significance and Societal Importance of the Research Achievements

内藤湖南の藝術論の核心について、新しい見解を得た。それは、その時期の日本思想史、日本藝術理論史を考える上で、今後の研究のための重要な足がかりを作ったと思われる。