2007 Fiscal Year Final Research Report Summary
A Study Pluralistic Relations on Representing women between Cinema, Visual Image, Print Culture, and Literature through Comparative Studies France, China, and Japan
| Project/Area Number |
17320038
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| Research Category |
Grant-in-Aid for Scientific Research (B)
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| Allocation Type | Single-year Grants |
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| Section | 一般 |
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| Research Field |
Japanese literature
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| Research Institution | Gakushuin University (2007)
Hokkaido University (2005-2006) |
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Principal Investigator |
NAKAYAMA Akihiko Gakushuin University, the Faculty of Letters, Prof. (80261254)
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| Co-Investigator(Kenkyū-buntansha) |
SATO Junji Hokkaido Univ., Grad. School of Letters, Prof. (30282544)
TAKEDA Masaya Hokkaido Univ., Grad. School of Letters, Prof. (40216908)
YING Xiong Hokkaido Univ., Grad. School of Letters, Associate Prof. (50322772)
OSHINO Takeshi Hokkaido Univ., Grad. School of Letters, Associate Prof. (70270030)
MIZUTAMARI Mayumi Hokkaido Univ., Grad. School of Letters, Associate Prof. (00344531)
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| Project Period (FY) |
2005 – 2007
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| Keywords | Representation in Cinema / Expression in Cinema / Print Media and Literary Representation / Media Mix / Gender Studies |
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| Research Abstract |
This research conducted clarifies the following five points through a pluralistic investigation of the relationships between audio-visual expression, print culture, and literary expression.
1, In order to demonstrate the differences between audio-visual expression and literary expression, a theoretical analysis on cinema and literature was conducted. Notably, a re-evaluation of theories related to structuralism and semiotics was carried out along with the re-construction of theories related to post modernism to illuminate the possibility for adaptation in cinema and literature.
2, The historical transfiguration of the representing women from 1930's to 1990's becomes evident through an pluralistic examination of the relationships between films, paintings, photographs and icons in Modern Japan.
3, The historical transfiguration of the representing women from 1930's to 1990's was clarified according to the interaction between literary expression and printed expression in Modern Japan.
4, The historical similarities and differences of representing women between France, China and Japan from 1930's to 1990's was conducted clarifies through an pluralistic examination of the relationships between films, paintings, photographs and icons.
5, A theoretical analysis on the results gender studies and feminist criticism was conducted for the deconstruction of the representing women.
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[Presentation] 小津安二郎と女優たち2007
Author(s)
中山 昭彦
Organizer
シンポジウム「映像、視覚の現代研究」
Place of Presentation
南京芸術学院大学
Year and Date
2007-11-01
Description
「研究成果報告書概要(和文)」より
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