2021 Fiscal Year Final Research Report
A Study of "Hikiuta" in The Tale of Genji, Part I
| Project/Area Number |
18K12294
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| Research Category |
Grant-in-Aid for Early-Career Scientists
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| Allocation Type | Multi-year Fund |
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| Review Section |
Basic Section 02010:Japanese literature-related
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| Research Institution | Taisho University (2019-2021)
Miyagi Gakuin Women's University (2018) |
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Principal Investigator |
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| Project Period (FY) |
2018-04-01 – 2022-03-31
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| Keywords | 『源氏物語』 / 引歌 / 和歌 / 『源氏釈』 / 『古今和歌六帖』 / 『多武峯少将物語』 / 『三条右大臣集』 / 『兼輔集』 |
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| Outline of Final Research Achievements |
This study examines the use of "Hikiuta" in "The Tale of Genji", a literary work of the Heian period in Japan. In this study, we examined the technique of "Hikiuta" in the beginning of "The Tale of Genji", including some parts that have not been pointed out before. In particular, as the Hikiuta of "Haru ya kinuru" near the end of the Aoi volume, we found a new Hikiuta, which has not been pointed out before. We were able to newly point out "Miyakoniha mirubeki kimi mo nakimono wo tsune wo omoite haru yakinuran" a poem from the ""Sanjo-udaijin Shu" and "Kanesuke Shu". In addition, the response of Aoi no Ue to Hikaru Genji in the Wakamurasaki scroll to the line, "Towanu wa tsurakimono" in the conversational text, revealed that a specific Hikiuta should not be assumed.
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| Free Research Field |
平安朝文学
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| Academic Significance and Societal Importance of the Research Achievements |
『源氏物語』の引歌表現の解明は、物語の叙述方法を明らかにし、従来十分に解釈出来ていなかった箇所の読解につながるものといえる。また、日本の文学作品同士の関係を究明するものでもあるので、文学史的な意義もあり、日本語の表現の豊かさを明らかにするものとも考えられる。『源氏物語』は世界的にも高い関心が持たれている作品でもあるので、その表現効果を明らかにすることは、日本の文学や文化の紹介としても有意義と考える。
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