2009 Fiscal Year Final Research Report
The study on meaning and function of imitation:Copy/Extraction/Alteration
| Project/Area Number |
19320026
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| Research Category |
Grant-in-Aid for Scientific Research (B)
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| Allocation Type | Single-year Grants |
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| Section | 一般 |
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| Research Field |
Aesthetics/Art history
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| Research Institution | Kyoto University |
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Principal Investigator |
NEDACHI Kensuke Kyoto University, 大学院・文学研究科, 教授 (10303794)
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| Co-Investigator(Kenkyū-buntansha) |
NAKAMURA Toshiharu 京都大学, 文学研究科, 教授 (60198223)
HIRAKAWA Kayo 京都大学, 文学研究科, 准教授 (10340762)
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| Co-Investigator(Renkei-kenkyūsha) |
MUKASA Akira 実践女子大学, 文学部, 教授 (30219844)
TAJIMA Tatsuya 京都市立芸術大学, 美術学部, 准教授 (40291992)
FUKAYA Michiko 尾道大学, 芸術文化学部, 准教授 (30433379)
KENMOCHI Azusa 近畿大学, 文芸学部, 講師 (40548939)
SARAI Mai 国立文化財機構東京文化財研究所, 企画情報部, 研究員 (80392546)
MIYAZAKI Momo 大和文華館, 学芸部員 (10416266)
NAKAO Yui 国立美術館京都国立近代美術館, 学芸課, 研究員 (00443466)
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| Project Period (FY) |
2007 – 2010
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| Keywords | 模倣 / 模写 / 型 / 古典学習 / 規範 |
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| Research Abstract |
This research was a detailed examination of imitations of art objects in the East/Japan as well as the West, based on analysis of related materials and investigation of objects, together with close inspection of individual examples and including comparative research, also shedding light on religious outlooks, political contexts, and societal conditions during the period. Not settling for the act of merely tracing art copies, I also clarified the multiplicity of meanings that resulted from the transformation of the concept of "imitation". I obtained comprehensive results that can perform a barometer-like role in this field.
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