2022 Fiscal Year Final Research Report
A Developemental Study of Otome-bunraku as Performance Atrs, research based on the materials of puppets
Project/Area Number |
19K00235
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Research Category |
Grant-in-Aid for Scientific Research (C)
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Allocation Type | Multi-year Fund |
Section | 一般 |
Review Section |
Basic Section 01070:Theory of art practice-related
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Research Institution | Kindai University |
Principal Investigator |
SUSUKI Kimiko (林公子) 近畿大学, 文芸学部, 教授 (50183091)
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Co-Investigator(Kenkyū-buntansha) |
土田 牧子 共立女子大学, 文芸学部, 准教授 (30466958)
中尾 薫 大阪大学, 大学院人文学研究科(人文学専攻、芸術学専攻、日本学専攻), 准教授 (30546247)
後藤 静夫 京都市立芸術大学, 日本伝統音楽研究センター, 名誉教授 (50381926)
横田 洋 大阪大学, 総合学術博物館, 助教 (50513115)
澤井 万七美 沖縄工業高等専門学校, 総合科学科, 准教授 (60330726)
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Project Period (FY) |
2019-04-01 – 2023-03-31
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Keywords | 乙女文楽 / 人形衣装資料 / 女性芸能 / 大阪の芸能 / 近代の芸能 / 義太夫節 / 人形浄瑠璃 |
Outline of Final Research Achievements |
1. We clarified the situation of the Ningyo-joruri world at that time, which was the background to the birth of Otome-bunraku. 2. We re-examined the history of Otome-bunraku and clarified its whole history. 3. We clarified the characteristics and the uniqueness of the Otome-bunraku puppet materials held by Osaka University, and also tried to shed light to the possiblties of the pieces in which they were used. 4. We added new points of view on the studies of Otome-bunraku,considering to the environment of vunues,ie the hot spring leisure facility in the early Showa period, as well as the people's gaze towards the girls who were the puppeteers. Through considerations 1 to 4, we were able to present the creativity and cultural diversity of the Otome-buunraku as Performance Arts.
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Free Research Field |
歌舞伎史
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Academic Significance and Societal Importance of the Research Achievements |
本研究成果の学術的な意義は、乙女文楽の誕生の背景、通史を明らかにしたこと、近代の芸能である乙女文楽の上演環境について、また、女性芸能の視点からの考察をおこなったことにある。 上記の学術的な成果により、乙女文楽という芸能の姿を通して、芸能の持っている創造的な力やその多様性を具体的に示すことができた点が、本研究成果の社会的な意義であると考える。
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