Resonant architecture, connected architecture and music.

2021 Fiscal Year Final Research Report

• Project/Area Number: 19K00245
• Research Category: Grant-in-Aid for Scientific Research (C)
• Allocation Type: Multi-year Fund
• Section: 一般
• Review Section: Basic Section 01070:Theory of art practice-related
• Research Institution: Tokyo National University of Fine Arts and Music
• Principal Investigator: FURUKAWA Kiyoshi 東京藝術大学, 美術学部, 教授 (40323761)
• Co-Investigator(Kenkyū-buntansha): 藤井 晴行 東京工業大学, 環境・社会理工学院, 教授 (50313341)
• Project Period (FY): 2019-04-01 – 2022-03-31
• Keywords: メディアアート / マルチモーダル / 空間認知 / 建築 / 身体 / 実験音楽 / コンピューター音楽 / 認知科学

Outline of Final Research Achievements

The research has been conducted using a self-developed computer programme that simultaneously generates architectural spaces and musical works, and through repeated experiments with visual and aural perception, the hypothesis that architecture and music, although different in modality, share a common basis in their perceptual cognition and in their deep structure at the level of aesthetic order perception has been concretely expressed in the form of mechanisms, data and art. The aim has been to express this hypothesis in concrete mechanisms, data and art. In the 2019-21 academic year, various experimental events will be organised, focusing on various aspects around the experience of wide spaces and sound expression. The research was made public through conference presentations and articles. In 2021, the final year of the project, the research was summarised by verbalising the research results, writing a thesis and presenting a work of expression.

Free Research Field

実験音楽

Academic Significance and Societal Importance of the Research Achievements

本研究では建築空間の体験と音楽体験を接続する作品表現のためのアプリケーションの開発をすすめ、実験をおこないその体験内容のアスペクトの精査、検討をくりかえしおこなった。最終年度までにそれらのまとめをおこなったが、全研究期間をとおして、わたしたちが当初、目的とし た建築空間体験と音楽体験というモダリティーをこえた深層構造の共有の独自性の解明に、作品表現と論考の掘り下げにより高いレベルでの具体性をもたすこと ができたと思う。そしてそれは、この分野における一つの成果として重要な寄与となったと考えられる。