2022 Fiscal Year Final Research Report
Research into Hirosaki Hancho Nikki, a record of plays that were performed: Elucidation of "zashiki (sitting room)" plays during the Kyoho period
| Project/Area Number |
19K00364
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| Research Category |
Grant-in-Aid for Scientific Research (C)
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| Allocation Type | Multi-year Fund |
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| Section | 一般 |
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| Review Section |
Basic Section 02010:Japanese literature-related
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| Research Institution | National Institute of Japanese Literature |
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Principal Investigator |
TAKEI Kyozo 国文学研究資料館, その他部局等, 名誉教授 (60105567)
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| Project Period (FY) |
2019-04-01 – 2023-03-31
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| Keywords | 歌舞伎 / 人形浄瑠璃 / 享保期 / 座敷芝居 / 弘前藩庁日記 / 演技 |
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| Outline of Final Research Achievements |
Kabuki and Ningyojoruri are important performing arts in Japan. I studied Kabuki and Ningyojoruri in manshons of daimyo,at kyoho era〈1717～1736〉.I attentioned a documents named Hirosakihancho-nikki.
Kabuki is a traditional representative art in Japan. It is a kind of a musical theatre which has a unique style. Kabuki originated in the early 17th century and is still performed some 400 years later. Ningyojoruri is classical puppet play for adults,not for children in 17th～19th century.
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| Free Research Field |
日本近世演劇
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| Academic Significance and Societal Importance of the Research Achievements |
本研究は、享保期〈1717～1736〉という日本演劇史上の未解明の時代について、歌舞伎・人形浄瑠璃の演目・役者・演技・演出などの上演実態を明らかにするものである。享保期は近世演劇史研究の暗部となっている。そこに照明を当てることによって、日本演劇史の未解明部分を明らかにするのが、本研究の学術的意義である。さらにその実態を、現代日本の演劇文化と比較することによって、将来の日本文化のあるべき姿を提示するのが、本研究の社会的意義である。
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