2021 Fiscal Year Final Research Report
The study of the paintings called "Doro-e"-approach from urban historical and art, scientific analysis-
| Project/Area Number |
19K21647
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| Research Category |
Grant-in-Aid for Challenging Research (Exploratory)
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| Allocation Type | Multi-year Fund |
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| Review Section |
Medium-sized Section 3:History, archaeology, museology, and related fields
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| Research Institution | Tokyo National University of Fine Arts and Music |
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Principal Investigator |
MIZUMOTO Kazumi 東京藝術大学, 大学院美術研究科, 講師 (80610295)
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| Co-Investigator(Kenkyū-buntansha) |
一宮 八重 東京藝術大学, 大学院美術研究科, 講師 (40832613)
田口 智子 東京藝術大学, 大学院美術研究科, 研究員 (90755472)
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| Project Period (FY) |
2019-06-28 – 2022-03-31
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| Keywords | 泥絵 / 渡辺紳一郎氏旧蔵コレクション / 色材 / 自然科学分析 / ガラス絵 / 個人コレクション / 資料保存 / 遠近法（パースペクティブ） |
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| Outline of Final Research Achievements |
The group of paintings called "Doro-e" were produced from the Edo through the beginning of the Meiji periods. Doro-e is little recognized, except for some researchers in specific academic fields of studies. The principal researcher of this Doro-e project(study) had the opportunity to obtain and investigate the private collection of Mr. Shinichiro Watanabe, which led to the scientific research on materials used for Doro-e in addition to literature surveys. The result indicates that Doro-e is not necessarily positioned as conventional "folk paintings" but have a new aspect in the choice of colorants as well as its painting technique and materials and the drawing for perspectives in comparison with European oil paintings. We also compared with glass paintings techniques and materials. Our methods that we studied for Doro-e will contribute many collectors who live in JAPAN and cannot build the well-equipped storage, are able to improve the environment for their collections by our methods.
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| Free Research Field |
考古学、考古科学、博物館学
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| Academic Significance and Societal Importance of the Research Achievements |
科研費購入で、渡辺紳一郎氏の旧蔵コレクションが散逸をまぬかれた。美術・文化財の研究上の意義は深い。泥絵の観察と自然科学分析による材料技法の再検討から、これまでの「民画」という位置づけに対する新たな知見を得た。浮世絵に比して認知度の少ない泥絵に学術的な位置づけを与え、海外を含めた露出を増やす根拠となる。また、泥絵の保存性を検討するなか、夏場は高温多湿・冬場は低温乾燥の日本の環境下での個人コレクションを、個人住宅でどう保存しえるかに関して知見を得た。これは、文化財すべてに対して博物館・美術館の収蔵庫環境を保障できないなか、個人所有のコレクションを後世に繋ぐために、社会的意義の深い成果となった。
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