2011 Fiscal Year Final Research Report
A Study of Ryukuan Court Dance : On the Ryukuan Corporality formed in the Diplomatic Context with China and Japan
| Project/Area Number |
20320034
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| Research Category |
Grant-in-Aid for Scientific Research (B)
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| Allocation Type | Single-year Grants |
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| Section | 一般 |
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| Research Field |
Study of the arts/History of the arts/Arts in general
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| Research Institution | Okinawa Prefectural University of Arts |
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Principal Investigator |
ITAYA Toru 沖縄県立芸術大学, 大学院・芸術文化学研究科, 教授 (20130867)
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| Co-Investigator(Kenkyū-buntansha) |
KANESHIRO Atsumi 沖縄県立芸術大学, 音楽学部, 教授 (50183273)
HOSOI Naoko 立教大学, 異文化コミュニケーション学部, 教授 (40219184)
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| Project Period (FY) |
2008 – 2011
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| Keywords | 芸術諸学 / 琉球芸能 |
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| Research Abstract |
This study broadly perceives Ukwanshin-udui, including performing arts taken to Yamato, as a self presentation of pre-modern Ryukyu. On the occasion of the Edo-nobori or Satsuma-jyokoku of prince's messenger, performing arts like Uzagaku, To-odori, Ryu-odori etc. were taken along there in order to show those to the feudal lord of Satsuma during the meal served in the diplomatic ceremony called Gozen-Shinjyo. In those performances, Ryukyu's acceptance of the strong influences of Chinese culture was shown simultaneously with the performances of Ryu-odori which reflected the folk customs of upper class. Moreover, regarding the ceremony of lord-vassal diplomatic relation in Ryukyu, the intention of displaying Ukwanshin-udui to China as Ryukyu's mythological history by the Kojisyu, the panphlet for performances.
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