2010 Fiscal Year Final Research Report
A New Approach to the Origin of Mahayanasutra Movement on the Basis of Art Historical and Archeological Evidence
| Project/Area Number |
20520050
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| Research Category |
Grant-in-Aid for Scientific Research (C)
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| Allocation Type | Single-year Grants |
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| Section | 一般 |
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| Research Field |
Indian philosophy/Buddhist studies
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| Research Institution | Kyoto Koka Women's University |
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Principal Investigator |
ARAMAKI Noritoshi Kyoto Koka Women's University, 仏教文化研究所, 研究員 (30027536)
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| Research Collaborator |
NAKANISHI Maiko 佛教大学, 大学院, 博士課程
SUGIMOTO Mizuho 龍谷大学, 大学院, 博士課程
OZAWA Chiaki 大谷大学, 助教
MURATA Yumi 大谷大学, 大学院, 博士課程修了
MONIKA Zin ミュンヘン大学, 教授
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| Project Period (FY) |
2008 – 2010
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| Keywords | 仏教学・仏教史全般 / 佛教美術史 |
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| Research Abstract |
The two fundamental desiderata commonly shared by the two disciplines, Buddhist studies and Buddhist art history, are as follows : (1) How has the Buddha image emerged from within the Buddhist stupa-complex after a long aniconic tradition of Early Buddhism? and (2) How has Mahayana Buddhism originated after a long conservative history of Early Buddhism? And that around the same time-and-place (say, in the first century A. D. at Mathura)? The present study has tried to solve these two cruxes once for all by proposing the working-hypothesis that these two innovations are the two aspects of one and the same religious movement to experience Buddhas more and more directly in samadhi or ecstatic concentration of mind. The working-hypothesis has been suffieciently evidenced by archeological and art historical evidence. In the appendix the catalogue of the 59 panels and the inscriptions on them of the newly discovered Buddhist monument, "the Great Stupa at Kanganhalli," has been provided.
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[Journal Article]
Author(s)
Noritoshi Aramaki
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Journal Title
Apropos of the Three Legends of Buddha's Dis- andRe-appearance(本研究の報告書の一部として出版)
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[Remarks] ホームページ等
