2011 Fiscal Year Final Research Report
Changing style of play in history of Sokyoku
| Project/Area Number |
21520146
|
|---|
| Research Category |
Grant-in-Aid for Scientific Research (C)
|
| Allocation Type | Single-year Grants |
|---|
| Section | 一般 |
|---|
| Research Field |
Study of the arts/History of the arts/Arts in general
|
|---|
| Research Institution | University of Miyazaki |
|---|
Principal Investigator |
|
|---|
| Project Period (FY) |
2009 – 2011
|
| Keywords | 音楽学・日本音楽史・箏曲史 / 箏 |
|---|
| Research Abstract |
I abstracted differences and features of playing style among the following types of Sokyoku ; 1. Kyutei-sokyoku, which had a good run in the Heian era after Koto(Chinese harp) and its music came from China in the Nara era. 2. Tsukusi-sokyoku, which was born in the Aduchi-Momoyama era. 3. Todo-sokyoku, which was born in the early Edo era. 4. Gagaku-sokyoku, which was some modified relics of Kyutei-sokyoku in the Meiji era. 5. Kindai-sokyoku, which was born and developed from Todo-sokyoku in the Taisho era. 6. Gendai-sokyoku, which is an extension of Kindai-sokyoku. This study demonstrated that the differences and the features of playing style of them were the important factors which determined the musical characteristics of each Sokyoku. EndFragment
|
