2011 Fiscal Year Final Research Report
The Formation of Composite Art Criticism in the Meiji Era
| Project/Area Number |
21520164
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| Research Category |
Grant-in-Aid for Scientific Research (C)
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| Allocation Type | Single-year Grants |
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| Section | 一般 |
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| Research Field |
Study of the arts/History of the arts/Arts in general
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| Research Institution | Musashino Art University |
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Principal Investigator |
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| Co-Investigator(Kenkyū-buntansha) |
TAKAHASHI Yoichi 武蔵野美術大学, 造形学部, 教授 (70299957)
IMAOKA Kentaro 武蔵野美術大学, 造形学部, 教授 (30277777)
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| Project Period (FY) |
2009 – 2011
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| Keywords | 総合芸術批評 / 演奏批評 / 東京日日新聞 / 読売新聞 / 国学 |
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| Research Abstract |
In Meiji Era, Arts, especially music from Europe got along with traditional arts and Kokugaku, being in the opposition to them. This conclusion became clear with this research on the process of formation of music criticism in newspapers. Fukuchi Genichiro's music criticism in Tokyo-Nichinichi-Shinbun had insisted reform of music for Meiji enlightenment, but changed into technical criticism in Meiji 30.Furthermore this research is to certify that the prototype of music technical criticism was drama criticism in Meiji 20s, and it was established on Yomiuri-Shinbun in Meiji 31(1898).
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