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2013 Fiscal Year Final Research Report

Field of literary production, the changes of media technology and theories of perception in Russia from the second half of the 19th century to the first half of the 20th century

Research Project

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Project/Area Number 21520352
Research Category

Grant-in-Aid for Scientific Research (C)

Allocation TypeSingle-year Grants
Section一般
Research Field European literature (English literature excluded)
Research InstitutionWaseda University

Principal Investigator

HAJIME Kaizawa  早稲田大学, 文学学術院, 教授 (30247267)

Project Period (FY) 2009-04-01 – 2014-03-31
Keywords文学生産の場 / メディア / テクノロジー / 知覚 / 文学理論
Research Abstract

The purpose of this study was to explore and characterize the big changes which had occurred in the field of literary production in Russia from the second half of the 19th century to the first half of the 20th century, especially from the viewpoint of its close relationship with the appearance of new types of media and technology in the field of culture, and also with the remarkable progress in the psychological and philosophical theories of perception.
As a result of the study we found out that the appearance of the new waves of literary theories at the beginning of the 20th century such as Russian Formalism was very closely tied with the popularization of cinematograph, and it also was strongly stimulated by the psychological and philosophical theories of perception, especially by Bundt, Bergson, Husserl, Sesemann, Shpet et al.

  • Research Products

    (8 results)

All 2014 2013 2012 2011 2010

All Journal Article (5 results) (of which Peer Reviewed: 1 results) Presentation (3 results)

  • [Journal Article] 擬態への不可能な欲望ウラジーミル・ナボコフ『絶望』についてのノート2014

    • Author(s)
      貝澤哉
    • Journal Title

      早稲田現代文芸研究

      Volume: 第4号 Pages: 18-34

  • [Journal Article] 哄笑される悲劇、あるい小説は存在しないミハイル・バフチンの小説論における「悲劇」と「笑い」について2013

    • Author(s)
      貝澤哉
    • Journal Title

      早稲田現代文芸研究

      Volume: 第3号 Pages: 36-49

  • [Journal Article] ポストモダニズムとユートピア/アンチユートピア現代ロシアにおける「近代」の超克2012

    • Author(s)
      貝澤哉
    • Journal Title

      ユーラシア世界3記憶とユートピア(塩川伸明、小松久男、沼野充義編)

      Pages: 77-100

  • [Journal Article] フォルマリズムはフォルムを拒否し破壊する同時代の知覚・認識理論とロシア・フォルマリズムの「異化」概念2012

    • Journal Title

      早稲田現代文芸研究

      Volume: 第2巻 Pages: 84-99

  • [Journal Article] 詩的言語における身体の問題:ロシア・フォルマリズムの詩学をめぐって2011

    • Journal Title

      スラヴ研究

      Volume: 第58号 Pages: 1-28

    • Peer Reviewed
  • [Presentation] ФОРМАЛИСТЫОТКАЗЫВАЮТСЯОТФОРМЫИХОТЯТЕЕРАЗРУШИТЬ──ВОКРУГФОРМАЛИСТСКОГОПОНЯТИЯ«ОСТРАНЕНИЕ»2013

    • Author(s)
      貝澤哉
    • Organizer
      ソフィア・シンポジウム「ロシア・アヴァンギャルド芸術100年」РУССКИЙАВАНГАРД
    • Place of Presentation
      上智大学図書館9階L921教室(主催:上智大学、共催:日本ロシア文学会)
    • Year and Date
      2013-10-31
  • [Presentation] ユーリイ・トィニャーノフの詩的言語論──身体の不在とその構築2013

    • Author(s)
      貝澤哉
    • Organizer
      シンポジウム《文学理論を身体化する》〔日本比較文学第51回東京大会〕
    • Place of Presentation
      早稲田大学文学学術院〔戸山キャンパス〕36-582教室
    • Year and Date
      2013-10-20
  • [Presentation] P.A.Florensky's Idealistic-Materialistic Concept of Icon : Image as Non-representation2010

    • Author(s)
      貝澤哉
    • Organizer
      ICCEES VIII World Congress 2010
    • Place of Presentation
      Stockholm
    • Year and Date
      20100726-31

URL: 

Published: 2015-07-16  

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