2013 Fiscal Year Final Research Report
Overview of Kuan Celadon of the Song Dynasty
| Project/Area Number |
22401022
|
|---|
| Research Category |
Grant-in-Aid for Scientific Research (B)
|
| Allocation Type | Single-year Grants |
|---|
| Section | 海外学術 |
|---|
| Research Field |
Aesthetics/Art history
|
|---|
| Research Institution | Osaka City Cultural Properties Association |
|---|
Principal Investigator |
ITOH IKUTARO 公益財団法人大阪市博物館協会(大阪文化財研究所、大阪歴史博物館、大阪市立美術館、, 大阪市立東洋陶磁美術館, 名誉館長 (40373518)
|
|---|
| Co-Investigator(Renkei-kenkyūsha) |
DEGAWA Tetsuro 公益財団法人大阪市博物館協会, 大阪市立東洋陶磁美術館, 館長 (50373519)
KOBAYASHI Hitoshi 公益財団法人大阪市博物館協会, 大阪市立東洋陶磁美術館・学芸課, 主任学芸員 (00373522)
JUNG Eunjin 公益財団法人大阪市博物館協会, 大阪市立東洋陶磁美術館・学芸課, 学芸員 (20531263)
|
|---|
| Project Period (FY) |
2010-04-01 – 2014-03-31
|
| Keywords | 汝窯 / 汝州張公巷窯 / 南宋官窯 / 修内司官窯 / 郊壇下官窯 / 老虎洞窯 / 南宋越窯 |
|---|
| Research Abstract |
Celadon ware produced at the official kilns of the Song dynasty enjoys the highest aesthetic recognition in the history of Chinese ceramics. Official celadon ware has its rise in Ru ware, the aesthetic ideal of which had been carried on by Southern Song Guan ware and became the main stream.
Since the discovery of Zhanggongxiang celadon in Ruzhou in 2000, however, opinions relating Zhanggongxiang kiln to the "Northern Song Guan kiln",which has been referred only in the literature of the Southern Song dynasty, gave rise to new discussions in the studies of Song official celadon. This study elucidates the forefront of the current trends and issues observed in research on main Song official kilns. While it is based on new archaeological views,observations from aesthetic and an art historical perspective are added. The study also proposes a hypothesis on the active dates of Zhanggongxiang kiln.
|
