2013 Fiscal Year Final Research Report
comprehention of the different cultures and creation of the tradition in reception of the modern french music by the modern Japanese composers
| Project/Area Number |
22520128
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| Research Category |
Grant-in-Aid for Scientific Research (C)
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| Allocation Type | Single-year Grants |
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| Section | 一般 |
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| Research Field |
Study of the arts/History of the arts/Arts in general
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| Research Institution | Saitama University |
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Principal Investigator |
KOZUKI Tomoko 埼玉大学, 教育学部, 准教授 (70375591)
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| Project Period (FY) |
2010-04-01 – 2013-03-31
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| Keywords | 近代フランス音楽 / 日本の洋楽受容 / アンチ・ドイツ / 新たなモダニズム / 日本の近代化との連携 |
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| Research Abstract |
This study arranged that the French modern music view formed from the music situation of Japan before the Pacific War, was based on the experiences of Tomojiro Ikenouchi and Kishio Hirao and others. It was shown clearly that there were positive and important motives, exploring the French modern music trend, not only the negative reason of anti-German music, but simultaneously creating one of the new Japanese modern art music by acceptance of the French modern music. Also in music, the culture of such modernization offered different new modernism from German classical music or the educational methods of the United States, like other arts, cultures, industry, etc.
As a result of this research, Western music imagination according to Japanese people by a Showa prewar-days term was clearly studied, and also the purpose of the trial of confrontation and reconciliation of the similarity and difference of East and West, and thus, the nature of this trial was shown.
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