Transformation of Balinese Performing Arts in Revival Movement of Culture and Cultural Policy under Decentralization in Indonesia

2012 Fiscal Year Final Research Report

• Project/Area Number: 22520145
• Research Category: Grant-in-Aid for Scientific Research (C)
• Allocation Type: Single-year Grants
• Section: 一般
• Research Field: Study of the arts/History of the arts/Arts in general
• Research Institution: Shizuoka University of Art and Culture (2012); Okinawa Prefectural University of Arts (2010-2011)
• Principal Investigator: UMEDA Hideharu 静岡文化芸術大学, 文化政策学部, 教授 (40316203)
• Project Period (FY): 2010 – 2012
• Keywords: バリ島 / 文化政策 / 地方分権 / 芸能 / ワヤン / 舞踊 / プンティン

Research Abstract

Revivals of Balinese performing arts, socialist dance, penting, and wayang in ritual of Purification, were conducted research under dec entralization of Indonesia from 2000. As a result, it was clear that two performing arts were transformed significantly under revival movement of culture in grass-root level, and cultural policy by local government.

Research Products

• [Journal Article] 「アダット」から「アガマ」へ--現代バリにおける悪魔祓いサプ・レゲール儀礼の復活 (2013)
  • Author(s): 梅田英春
  • Journal Title: 沖縄芸術の科学 Volume: 第25号 Pages: 21-36
• [Journal Article] 大正琴の伝播と変容--台湾、インドネシアおよびインドの事例 (2012)
  • Author(s): 梅田英春、田中多佳子、尾高暁子
  • Journal Title: 京都教育大学紀要 Volume: no. 120 Pages: 121-137
  • Peer Reviewed
• [Journal Article] バリにもたらされた大正琴--カランガッスム県アムラプラ周辺のプンティン (2011)
  • Author(s): 梅田英春
  • Journal Title: MOUSA(沖縄県立芸術大学音楽学研究誌) Volume: no. 12 Pages: 53-64
• [Presentation] バリ島における大正琴の伝播と変容(シンポジウム「大正琴の文化史--アジアにおける大正琴の伝播と変容」) (2012)
  • Author(s): 梅田英春
  • Organizer: 日本音楽学会支部横断企画
  • Place of Presentation: 静岡文化芸術大学
  • Year and Date: 2012-10-12
• [Presentation] バリ島に伝播した大正琴 (2012)
  • Author(s): 梅田英春
  • Organizer: 東洋音楽学会第57回定例研究会
  • Place of Presentation: 沖縄県立芸術大学
  • Year and Date: 2012-01-21