2012 Fiscal Year Final Research Report
The form of Japanese Paintings-The spirit of modern Japanese Paintings traced through "gihosho"and"mohon"
| Project/Area Number |
22652010
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| Research Category |
Grant-in-Aid for Challenging Exploratory Research
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| Allocation Type | Single-year Grants |
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| Research Field |
Aesthetics/Art history
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| Research Institution | Tokyo National University of Fine Arts and Music |
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Principal Investigator |
SOMEYA Kaori 東京芸術大学, 大学院・美術研究科, 講師 (90572579)
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| Co-Investigator(Kenkyū-buntansha) |
KARIMATA Kousuke 東京芸術大学, 大学院・美術研究科, 講師 (90529950)
MATSUMURA Kouta 東京芸術大学, 大学院・美術研究科, 講師 (30538765)
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| Co-Investigator(Renkei-kenkyūsha) |
MIYASAKO Masaaki 東京芸術大学, 大学院・美術研究科, 教授 (40272645)
ARAI Kei 東京芸術大学, 大学院・美術研究科, 准教授 (60361739)
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| Project Period (FY) |
2010 – 2012
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| Keywords | 美術史 |
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| Research Abstract |
This study shows the process that “Japanese Painting” has come to be defined by distinctive materials the same as today. In this study, we collected “gihosho” (technical books) that Japanese Painters wrote from Edo to early Showa era and analyzed them statistically. Also, we examined “mohon”(copies) that used in Tokyo Fine Arts School after the Meiji era. From the above, this study could support the process of changing to define “Japanese Painting”.
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