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2012 Fiscal Year Final Research Report

A Study on the Development of Japanese Art in the Post-WWII International Art Scene and the Cultural Policy of J. D. Rockefeller 3rd

Research Project

  • PDF
Project/Area Number 22720044
Research Category

Grant-in-Aid for Young Scientists (B)

Allocation TypeSingle-year Grants
Research Field Aesthetics/Art history
Research InstitutionKobe University

Principal Investigator

IKEGAMI Hiroko  神戸大学, 大学院・国際文化学研究科, 准教授 (20507058)

Project Period (FY) 2010 – 2012
Keywords日米美術交流 / 国際美術シーン / 現代美術
Research Abstract

I conducted an extensive research on the research topic during the tenure of this fellowship, while presenting a paper in a number of conferences. I did research at the Museum of Modern Art Archives and Japan Society while interviewing Japanese artists living in the city. The major accomplishment of this study was the retrospective of Shinohara Ushio at the museum of SUNY New Paltz, for which I acted as a lead curator, and also published a catalogue with three scholarly. This led to my next research theme to examine the international proliferation of Pop Art in the 1960s.

  • Research Products

    (20 results)

All 2013 2012 2011 2010 Other

All Journal Article (4 results) (of which Peer Reviewed: 4 results) Presentation (12 results) Book (3 results) Remarks (1 results)

  • [Journal Article] On the Practice of Oral History Archives of Japanese Art:Toward Oral Histories of Art in Asia2012

    • Author(s)
      Hiroko Ikegami
    • Journal Title

      Field Notes

      Volume: Issue 2 Pages: 25-48

    • Peer Reviewed
  • [Journal Article] The 'Triumph' of Japanese Neo-Pop: A Historical Evaluation2011

    • Author(s)
      Hiroko Ikegami
    • Journal Title

      Journal of Korean Association for History of Modern Art

      Pages: 221-251

    • Peer Reviewed
  • [Journal Article] 'World without Boundary'? EAT and the Pepsi Pavilion at the Expo '70, Osaka2011

    • Author(s)
      Hiroko Ikegami
    • Journal Title

      Review of Japanese Culture and Society

      Pages: 174-190

    • Peer Reviewed
  • [Journal Article] ポスト・コンフリクトの日米美術交流2011

    • Author(s)
      池上裕子
    • Journal Title

      コンフリクトの人文学

      Volume: 第3号 Pages: 41-59

    • Peer Reviewed
  • [Presentation] Recontextualizing Neo-Dada: Jasper Johns in Tokyo, 19642013

    • Author(s)
      Hiroko Ikegami
    • Place of Presentation
      School of Art Institute, Chicago, America
    • Year and Date
      20130400
  • [Presentation] Notes on Pop in Japan, Part 22013

    • Author(s)
      Hiroko Ikegami
    • Place of Presentation
      University of California Berkeley, America
    • Year and Date
      20130200
  • [Presentation] 日本美術オーラル・ヒストリー・アーカイヴの活動について2013

    • Author(s)
      池上裕子
    • Organizer
      戦後美術アーカイヴその課題と展望
    • Place of Presentation
      横尾忠則現代美術館
    • Year and Date
      20130100
  • [Presentation] Who Is Afraid of Pop? Remaking American Pop by Ushio Shinohara and Elaine Sturtevant2013

    • Author(s)
      Hiroko Ikegami
    • Organizer
      Comite international d'histoire de l'art
    • Place of Presentation
      Naruto
    • Year and Date
      20130100
  • [Presentation] Shinohara Pops! Or How to Make Pop Ukiyo-e2012

    • Author(s)
      Hiroko Ikegami
    • Organizer
      New York Conference for Asian Studies SUNY New Paltz
    • Place of Presentation
      America
    • Year and Date
      20120900
  • [Presentation] ポロックを売る、ポロックを買う..アメリカ美術の国際市場形成について2012

    • Author(s)
      池上裕子
    • Organizer
      ポロック展記念シンポジウム
    • Place of Presentation
      東京国立近代美術館
    • Year and Date
      20120300
  • [Presentation] Looking and Being Looked At: Jasper Johns in Tokyo, 19642012

    • Author(s)
      Hiroko Ikegami
    • Organizer
      a panel "Pop and Politics," College Art Association
    • Place of Presentation
      Los Angeles, America
    • Year and Date
      20120200
  • [Presentation] The 'Triumph' of Japanese Neo-Pop: A Historical Evaluation2011

    • Author(s)
      Hiroko Ikegami
    • Organizer
      12th International Conference of Korean Association for the History of Modern Art
    • Place of Presentation
      Ewha Woman's College Seoul、Korea
    • Year and Date
      20111000
  • [Presentation] World without Boundary? EAT Goes to Expo '70, Osaka2010

    • Author(s)
      Hiroko Ikegami
    • Place of Presentation
      Harvard University
    • Year and Date
      20101100
  • [Presentation] Toward Oral Histories of Art in Asia2010

    • Author(s)
      Hiroko Ikegami
    • Organizer
      6th Asian Museum Curators' Conference
    • Place of Presentation
      Venkatappa Art GalleryBangalore、India
    • Year and Date
      20101000
  • [Presentation] How New York Defended the Idea of Modern Art: A Case of Postwar Art from Japan, 19662010

    • Author(s)
      Hiroko Ikegami
    • Organizer
      Asian Studies Conference Japan
    • Place of Presentation
      Waseda University
    • Year and Date
      20100600
  • [Presentation] Introducing the Art under the Nuclear Umbrella: The New Japanese Painting and Sculpture at the Museum of Modern Art, New York2010

    • Author(s)
      Hiroko Ikegami
    • Place of Presentation
      University of Michigan Museum of Art, America
    • Year and Date
      20100400
  • [Book] The Avant-Garde Road2012

    • Author(s)
      Hiroko Ikegami Shinohara Pops
    • Total Pages
      128
    • Publisher
      Albany: SUNY Press
  • [Book] East-West Intersections in American Art: A Long and Tumultuous Relationship2012

    • Author(s)
      Hiroko Ikegami et al
    • Total Pages
      289
    • Publisher
      Smithsonian Institution Scholarly Press
  • [Book] コンフリクトのなかの芸術と表現..文化的ダイナミズムの地平2012

    • Author(s)
      池上裕子 他
    • Total Pages
      371
    • Publisher
      大阪大学出版会
  • [Remarks]

    • URL

      http://www.oralarthistory.org/

URL: 

Published: 2014-08-29  

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