2013 Fiscal Year Final Research Report
Imitation and Transcendence: Learning and Creation in the Fine Arts
| Project/Area Number |
23320043
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| Research Category |
Grant-in-Aid for Scientific Research (B)
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| Allocation Type | Single-year Grants |
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| Section | 一般 |
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| Research Field |
Study of the arts/History of the arts/Arts in general
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| Research Institution | Tokyo National University of Fine Arts and Music |
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Principal Investigator |
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| Co-Investigator(Kenkyū-buntansha) |
ARAI Kei 東京芸術大学, 大学院・美術研究科, 准教授 (60361739)
FURUTA Ryo 東京芸術大学, 大学美術館, 准教授 (20259998)
KARINO Kayoko 東京芸術大学, 大学院・美術研究科, 教育研究助手 (40570065)
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| Co-Investigator(Renkei-kenkyūsha) |
ARIGA Yoshitaka 東京芸術大学, 大学院・美術研究科, 客員教授 (20133613)
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| Project Period (FY) |
2011-04-01 – 2014-03-31
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| Keywords | 日本画 / 美術教育 / 保存修復 / 文化財保存学 / 技法材料 / 博物館学 / 模本 / 複製 |
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| Research Abstract |
We researched exemplar of Japanese painting and a history of reproduction. We not only revalued significance of reproduction in the fine arts and but also developed a new technique of reproduction. Especially, concerning reproduction of painting with feel of a material, through practical research we developed a new technique which was united digital technology and traditional technique of Japanese painting. As a result, we got patents about reproduction.
These techniques have been utilized in reproducing feel on wall painting of cultural assets, various bases of material, exhibitions and displays at cultural facilities. In addition, it is decided that the research results about a history of reproduction and a method of it will be published in the current year.
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