2015 Fiscal Year Final Research Report
The comprehensive research investigation regarding groups researching Nihonga (Japanese-style paintings) descended from Ukiyo-e (Japanese woodblock prints) and illustrations.
| Project/Area Number |
25770045
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| Research Category |
Grant-in-Aid for Young Scientists (B)
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| Allocation Type | Multi-year Fund |
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| Research Field |
Fine art history
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| Research Institution | Tokai University |
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Principal Investigator |
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| Research Collaborator |
Tsunoda Takurou 神奈川県立歴史博物館, 主任学芸員
Satou Yoshiko 川崎市市民ミュージアム, 学芸員
Yamamoto Yuri 佐倉市立美術館, 学芸員
Yoshii Daimon 日本郵船歴史博物館, 学芸員
Imanishi Ayako 鎌倉市鏑木清方記念美術館, 学芸員
Naka Chihiro 日本舞踊師範名取, 日本画家
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| Project Period (FY) |
2013-04-01 – 2016-03-31
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| Keywords | 烏合会/郷土会 / 浮世絵/社会画 / 鏑木清方 / 美人画/日本画 / 明治時代/大正時代 / 展覧会/鑑賞者 / 浮世絵末流 / 日本近代美術史 |
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| Outline of Final Research Achievements |
Studies of groups researching Nihonga (Japanese-style paintings) descended from Ukiyo-e (Japanese woodblock prints) have not made progress compared with those descended from traditional school of paintings.As a result of the research investigation regarding Ugokai (烏合会, the Meiji Era) and Kyodokai (郷土会, the Taisho Era), the following was confirmed:
1.Activity and evaluation of Nihonga groups descended from Ukiyo-e were deeply influenced by external factors, such as vicissitudes of evaluation of Ukiyo-e in Japan and the establishment of Bijinga (beautiful person pictures) at the Kanten exhibition.
2.In contrast to the popularity of Bijinga, Shakaiga (society pictures) as the ideology having in view for the establishment of their identity as Ukiyo-e was intended.
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| Free Research Field |
美学・美術史
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