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General Research on the Todo Music in Nagoya

Research Project

Project/Area Number 02610022
Research Category

Grant-in-Aid for General Scientific Research (C)

Allocation TypeSingle-year Grants
Research Field 美学(含芸術諸学)
Research InstitutionTOKYO GEIJUTU DAIGAKU

Principal Investigator

KAMISANGO Yuko  TOKYO GEIJUTU DAIGAKU Music Dept. Prof., 音楽学部, 教授 (20169618)

Co-Investigator(Kenkyū-buntansha) ONUKI Toshiko  TOKYO GEIJUTU DAIGAKU Music Dept. Assist., 音楽学部, 助手 (70015254)
野川 美穂子  東京芸術大学, 音楽学部, 助手 (50218294)
Project Period (FY) 1990 – 1992
Project Status Completed (Fiscal Year 1992)
Budget Amount *help
¥1,900,000 (Direct Cost: ¥1,900,000)
Fiscal Year 1992: ¥400,000 (Direct Cost: ¥400,000)
Fiscal Year 1991: ¥600,000 (Direct Cost: ¥600,000)
Fiscal Year 1990: ¥900,000 (Direct Cost: ¥900,000)
KeywordsSokyoku / Jiuta / Nagoya / Todo / Blind musician / Heikyoku / Kokyu / 国風音楽会 / 当道行事 / 箏曲・地歌の教習制度 / 名古屋箏曲・地歌のレパ-トリ- / 名古屋胡弓 / 国風音楽会の組織と歴史 / 当道行事の遺風 / 名古屋箏曲の教習制度 / 名古屋箏曲の伝承レパ-トリ- / 名古屋三絃曲の教習制度 / 名古屋三絃曲の伝承レパ-トリ- / 名古屋平曲と胡弓曲の伝承レパ-トリ-
Research Abstract

One of the organizations of the musicians of traditional Japanese music in Nagoya. KOKUHU-ONGAKUKAI, was established in 1893, as a branch office of the nation-wide organization, KOKUHU ONGAKU KOSHUJO. Many of the other branches were disbanded after the head office in Tokyo was closed, but the Nagoya branch has been active up to now. The starting members of the organization were mainly the blind musicians who had belonged to the todo, an autonomous organization of the blind in the Edo period. And they adopted many systems and customs from todo into the new organization. These systems and customs as well as the repertories of todo music are still kept in KOKUHU ONGAKUKAI to some extent.
So, in our project, we researched mainly about KOKUHU ONGAKUKAI from several points of view. The results of the research can be summarized in the following three points.
1. Events-There are about fifteen annual events held by KOKUHU ONGAKUKAI. Among them, we made recordings of seven important events by video films and cassette tapes. One of the most important events is Ninko-sai, whose origin datos back to the Muromachi period.
2. Education Systems-Through interviews and collecting the documents, we investigated the relation of the grades of the pupils and the titles of the teachers to the actual degree of the progress in music. Some titles for the male blind musicians like kengyo, koto were borrowed from todo. The titles are different from those of the female blind musicians and non-blind players. Some systems changed after the last war.
3. Repertories-Some of the todo repertories are played only by the members of KOKUHU ONGAKUKAI, for examples heikyoku and some kokyu pieces. Though the exchange of the repertories often took place in the past. We collected the anthologies owned by KOKUHU ONGAKUKAI or published in Nagoya to know which pieces are peculiar to KOKUHU ONGAKUKAI.

Report

(4 results)
  • 1992 Annual Research Report   Final Research Report Summary
  • 1991 Annual Research Report
  • 1990 Annual Research Report

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Published: 1990-04-01   Modified: 2016-04-21  

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