An overall Study on Dance based on a body theory
Grant-in-Aid for Scientific Research (C)
|Allocation Type||Single-year Grants|
|Research Institution||The University of Tokyo|
ISHIMITSU Yasuo The University of Tokyo, Graduate School of Arts and Sciences, Professor (60093366)
|Project Period (FY)
1998 – 2001
Completed(Fiscal Year 2001)
|Budget Amount *help
¥3,300,000 (Direct Cost : ¥3,300,000)
Fiscal Year 2001 : ¥500,000 (Direct Cost : ¥500,000)
Fiscal Year 2000 : ¥500,000 (Direct Cost : ¥500,000)
Fiscal Year 1999 : ¥500,000 (Direct Cost : ¥500,000)
Fiscal Year 1998 : ¥1,800,000 (Direct Cost : ¥1,800,000)
|Keywords||body / dance / performing arts / Noh / Kabuki / Bunraku / Bullet / psychoanalysis / 身体論 / フロイト / コンテンポラリー・ダンス / ヒステリー的身体 / ロマン主義 / カフカ / 近代舞踊の身体 / フォーサイス / ピナ・バウシュ / 舞踊する身体 / モダン・ダンス / 古典芸能 / 精神分析|
This research took up in the performing arts on the theme of dancing. As fundamental work of research, the body theory which can solve dancing as expression of the body was constituted first. Moreover it was tried to understand the body of dancing which is performed on the boards through the above-mentioned body theory from a many-sided viewpoint systematically. This trial not only made individuality which is different in each of various performances in dancing clear, but was the effort which is also going to clarify that modern meaning and historical meaning of dancing. Therefore, this research practiced the following:
1 Aiming at establishing the body theory which is founded especially on the psychoanalysis and which can be applied to understanding the dancing body, the research resulted in several papers.
2 The history of dancing of modern Western Europe was by this theory reexamined from a new viewpoint. And the papers as can show the perspective of the history of performing arts lea
ding even to present age dancing were announced. Emphasis was set in the paper in which it is shown-clearly that the romantic and classic ballet, the origin of dancing of modern Western Europe, is deployment of the hysterics-body of the 19th. Century.
3 In order to consider the performing arts in present-age Japan, comparison with Occidental dancing and traditional dancing of Japan is indispensable. Therefore, it was examined carefully whether the body theory already obtained in the top would be how far applicable to the traditional entertainments of Japan, and the papers for preparing the axis of coordinates which can combine a traditional body expression of Japan with the body expression which emits a source in Western Europe were announced.
4 Some trials which feed back a theoretical result to an actual dancing public performance were performed. On that occasion, it was able to experiment in the composition of the body expression by the computer or the digital equipment variously, and the very effective result was raised from there. Less
Research Output (21results)