The Rout for the paddle and avil technique to come Japan Islands

• Project/Area Number: 11610423
• Research Category: Grant-in-Aid for Scientific Research (C)
• Allocation Type: Single-year Grants
• Section: 一般
• Research Field: 考古学(含先史学)
• Research Institution: Independent Administrative Institution National Research Institute Cultural Properties Nara National Cultural Properties Research Institute (2001); Nara National Research Institute for Cultural Properties (1999-2000)
• Principal Investigator: FUKASAWA Yoshiki Nara National Cultural Properties Research Institute, Heijo Palace Site Research Branch, Curator, 平城宮跡発掘調査部, 研究員 (40156740)
• Project Period (FY): 1999 – 2001
• Project Status: Completed (Fiscal Year 2001)
• Budget Amount: ¥1,500,000 (Direct Cost: ¥1,500,000); Fiscal Year 2001: ¥500,000 (Direct Cost: ¥500,000); Fiscal Year 2000: ¥500,000 (Direct Cost: ¥500,000); Fiscal Year 1999: ¥500,000 (Direct Cost: ¥500,000)
• Keywords: the paddle and anvile technique / tool / makinng process / body technique to make potteries / Yayoi pottery / Songungri pottery / 工程 / 道具 / 伝播経路 / 弥生文化

Research Abstract

Duaring this three years I have approached the paddle and anvil technique of Yayoi pottery in Japan Islands. This technique is first found at Yayoi pottery, there was not at Jomon period. I prepaired the three standpoits, or a tool, a i making process, and a body technique to make potteries.
In Korean Peninsula there are two kinds of the paddle and anvil technique, one of them is of Nangnang pottery and Three nations pottery, and another is of Songungri pottery. The paddle and anvil technique of Nangnang pottery and Three nations pottery is too different from Yayoi pottery. For example, a lot of the potteris Nangnang types were made by the tools coiled cords. But there are not at all this technique in Yayoi potteries. On the other hand, in a lot of points there are common between Yayoi pottry at Japan Isklands and Songungri pottery at Koria Peninsula.
The traces of the paddle and anvil technique on the surface of Songungri pottries are dotted the aria of south-west part of the Peninsula. I think that this phenomena of narrow distribution are so important. This technique is not derived from the north part of Peninsula, or Nangnang pottery. So I infer that this technique originally derived from the middle-low part of Jianyang river, and by way of the south-west part of the Peninsula this paddle and anvil technique arrived at Japan Islands at Yayoi period.