| Project/Area Number |
14201007
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| Research Category |
Grant-in-Aid for Scientific Research (A)
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| Allocation Type | Single-year Grants |
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| Section | 一般 |
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| Research Field |
Fine art history
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| Research Institution | Osaka University |
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Principal Investigator |
KOEZUKA Takashi Osaka University, Museum of Osaka University, Professor, 総合学術博物館, 教授 (90027988)
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| Co-Investigator(Kenkyū-buntansha) |
DURT Hubert International College for Postgraduate Buddhist Studies, Graduate school of Buddhist Studies, Professor, 仏教学研究科, 教授 (20288070)
UENO Kunikazu Nara Women's University, Faculty of Life and Environment, Professor, 生活環境学部, 教授 (70000495)
FUKAMI Sumio St.Andrew's University, Faculty of letters, Professor, 文学部, 教授 (40144555)
ASANUMA Takeshi Kyoto National Museum, Curator, 主任研究官 (10249914)
FUJIOKA Yutaka Osaka University, Graduate school of letters, Associate Professor, 文学研究科, 助教授 (70314341)
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| Project Period (FY) |
2002 – 2004
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| Project Status |
Completed (Fiscal Year 2004)
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| Budget Amount *help |
¥27,170,000 (Direct Cost: ¥20,900,000、Indirect Cost: ¥6,270,000)
Fiscal Year 2004: ¥7,150,000 (Direct Cost: ¥5,500,000、Indirect Cost: ¥1,650,000)
Fiscal Year 2003: ¥8,320,000 (Direct Cost: ¥6,400,000、Indirect Cost: ¥1,920,000)
Fiscal Year 2002: ¥11,700,000 (Direct Cost: ¥9,000,000、Indirect Cost: ¥2,700,000)
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| Keywords | History of Southeast Asian sculptures / Indianization / Fu Nan / Angkor / Dvaravati / Champa / Wooden building / EFEO / 東南アジア / 彫刻史 / アーンドラ / アヌラーダプラ / セデス / 南インド / スリランカ / ボロブドゥール / プランバナン / ルンバブジャン / 東南アジア美術 / 彫刻 / インド文化 / ミーソン / ダナン / オケオ |
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| Research Abstract |
This study is intended to rethink Southeast Asian art history based on the concept of "Indianization" by the great scholar Georges Coedes. Additionally this study suggests a new framework of Asian - Buddhist art history, founded upon the empirical interrelations of actual art objects in India, Southeast Asia and China. Meetings and conferences were organized regularly over three years ; Members gave papers, initiated further discussion, and outside scholars were also invited as speakers. We made four research trips to Southeast Asia, India and Sri Lanka to investigate of sculpture and architecture at museums and temple ruins. We took record photographs and collected research materials. The group taking these trips consisted not only of art historians but also scholars in the fields of history, architecture and Buddhism. Regarding art historians, the team consisted of specialists in India, Southeast Asian and Chinese art. Joining together such a wide range of scholars made it possible to complete a synthesized updated study in each field. As a result, we concluded that an "art-network" had been already been established in Southeast Asia during the era of accomplishment of the Southeast Buddhist style. Furthermore the de-Indianization phenomenon had already been recognized. We edited two volumes for our report ; one is a list of sculptures from collections of important museums in Southeast Asia and the other is a transcription of the scholarly essays resulting from our study.
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