| Project/Area Number |
14580111
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| Research Category |
Grant-in-Aid for Scientific Research (C)
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| Allocation Type | Single-year Grants |
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| Section | 一般 |
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| Research Field |
家政学一般(含衣・住環境)
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| Research Institution | Ochanomizu University |
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Principal Investigator |
TOKUI Yoshiko Ochanomizu University, Faculty of Human Life and Environmental Sciences, Professor, 生活科学部, 教授 (80172146)
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| Co-Investigator(Kenkyū-buntansha) |
OYAMA Naoko Ochanomizu University, Institute for Gender Studies, Visiting Researcher, 客員研究員 (00194639)
ITO Aki International Christian University, College of Liberal Arts, Associate Professor, 教養学部, 助教授 (70323863)
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| Project Period (FY) |
2002 – 2004
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| Project Status |
Completed (Fiscal Year 2004)
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| Budget Amount *help |
¥3,700,000 (Direct Cost: ¥3,700,000)
Fiscal Year 2004: ¥900,000 (Direct Cost: ¥900,000)
Fiscal Year 2003: ¥900,000 (Direct Cost: ¥900,000)
Fiscal Year 2002: ¥1,900,000 (Direct Cost: ¥1,900,000)
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| Keywords | Fashion information media / Culture of clothes / Sensibility / Modernization / Iconography / Theory of colors / Festivity / Patterns / 服飾 / 文化表象 / 色彩 / 近代日本 / 西洋中世 / 近代性 / ロマン主義 / 紋章 |
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| Research Abstract |
This research project examines the fashion information media, especially in modem Japan, and medieval and modern Europe, in order to clarify their characteristics, and differences in the transmission of information :
1 Cultural representation in terms of the Tenpyo-era costume, which was loved by the Modern Japan, was a visualized announcement of the future of the "East Asia", which was originally a cultural concept. In other words, fashion as "visualized information" in Modem Japan functioned strongly as a political medium for spreading an intended strategic concept throughout the nation as well as a sensuous medium for representing culture and taste.
2 In Europe, the inter courtly community through marriage, festivities and artistic activities in the Middle Ages, and the publication of embleme books after the 16^<th> century contributed to the establishment of the pan-European popularity of the designs based on the devices such as the tear pattern. In the 19^<th> century, the correlation among historical costume, theatre and arts characterize fashion transmission during the Romantic era in Paris.
3 The color symbolism of Cesare Ripa's Iconologia (first edition : 1593) is based on the 15^<th>-16^<th> century Italian and French Treatises on color. These treatises influenced not only the representation clothing worn by characters in art and literature, but also the color mode in of Modern European Costumes as a medium of fashion information.
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