A historical study of Gidayu-bushi; by researching on musical score of shamisen
| Project/Area Number |
15K02121
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| Research Category |
Grant-in-Aid for Scientific Research (C)
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| Allocation Type | Multi-year Fund |
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| Section | 一般 |
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| Research Field |
Aesthetics and studies on art
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| Research Institution | Tokyo College of Music |
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Principal Investigator |
OTA AKIKO 東京音楽大学, 音楽学部, 講師 (90399741)
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| Project Period (FY) |
2015-04-01 – 2018-03-31
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| Project Status |
Completed (Fiscal Year 2017)
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| Budget Amount *help |
¥4,160,000 (Direct Cost: ¥3,200,000、Indirect Cost: ¥960,000)
Fiscal Year 2017: ¥1,430,000 (Direct Cost: ¥1,100,000、Indirect Cost: ¥330,000)
Fiscal Year 2016: ¥1,300,000 (Direct Cost: ¥1,000,000、Indirect Cost: ¥300,000)
Fiscal Year 2015: ¥1,430,000 (Direct Cost: ¥1,100,000、Indirect Cost: ¥330,000)
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| Keywords | 義太夫節 / 音楽学 / 日本音楽史 / 三味線音楽 / 浄瑠璃 |
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| Outline of Final Research Achievements |
Gidayu-bushi is a genre of joruri, accompaniment musical narrative of the Japanese puppet theater, Bunraku. It is founded by Takemoto Gidayu in 17C and has been inherited as a kind of the shamisen music to date.
The approach of the studies from the field of literature and drama to Gidayu-bushi is advances now, but the historic approach from a music side does not yet.
This study decodes the shamisen score of Gidayu-bushi of the oldest late 1700s and clarifies the historic change as the musical melody. I translated the melody of shamisen restored to the original state to current musical score. As a result, it was revealed that some patterns of the historic change in the music side existed.This study will become the study to capture the historic change of the joruri music three-dimensionally.
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Report
(4 results)
Research Products
(3 results)
