East Asian Film Cultures in the Post-Cold War Era: Film Festivals and their Transnational Network
| Project/Area Number |
15K16665
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| Research Category |
Grant-in-Aid for Young Scientists (B)
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| Allocation Type | Multi-year Fund |
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| Research Field |
Art at large
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| Research Institution | Nagoya University |
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Principal Investigator |
Ma Ran 名古屋大学, 人文学研究科, 准教授 (80623446)
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| Project Period (FY) |
2015-04-01 – 2018-03-31
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| Project Status |
Completed (Fiscal Year 2017)
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| Budget Amount *help |
¥3,380,000 (Direct Cost: ¥2,600,000、Indirect Cost: ¥780,000)
Fiscal Year 2017: ¥910,000 (Direct Cost: ¥700,000、Indirect Cost: ¥210,000)
Fiscal Year 2016: ¥1,170,000 (Direct Cost: ¥900,000、Indirect Cost: ¥270,000)
Fiscal Year 2015: ¥1,300,000 (Direct Cost: ¥1,000,000、Indirect Cost: ¥300,000)
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| Keywords | film festival network / globalization / cultural industry / regionalization and Asia / local / politics / independent cinema / Asian cinema / Independent cinema / Film Studies / Film Festival Studies / Asian Cinema Studies / Cultural Industries / film studies / film festival studies / transnational cinema / cultural industry |
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| Outline of Final Research Achievements |
Briefly speaking, there are two parts to highlight my research output. 1) Film festivals in China, in relation to Chinese independent cinema. My study reveals the intricate processes through which Chinese film festivals and their different stakeholders negotiate amongst themselves and with the state about an entity, the festival, that itself embodies contesting demands: namely, commerce, projections of soft power, control and freedom of expression.2) Asian film festival network, and independent cinemas in Southeast Asia and East Asia
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Report
(4 results)
Research Products
(20 results)
