| Project/Area Number |
15K21492
|
|---|
| Research Category |
Grant-in-Aid for Young Scientists (B)
|
| Allocation Type | Multi-year Fund |
|---|
| Research Field |
Cognitive science
Social psychology
|
|---|
| Research Institution | Ritsumeikan University (2016-2017)
Doshisha University (2015) |
|---|
Principal Investigator |
SHODA Haruka 立命館大学, 総合科学技術研究機構, 研究員 (00724361)
|
|---|
| Project Period (FY) |
2015-04-01 – 2018-03-31
|
| Project Status |
Completed (Fiscal Year 2017)
|
| Budget Amount *help |
¥2,730,000 (Direct Cost: ¥2,100,000、Indirect Cost: ¥630,000)
Fiscal Year 2017: ¥780,000 (Direct Cost: ¥600,000、Indirect Cost: ¥180,000)
Fiscal Year 2016: ¥650,000 (Direct Cost: ¥500,000、Indirect Cost: ¥150,000)
Fiscal Year 2015: ¥1,300,000 (Direct Cost: ¥1,000,000、Indirect Cost: ¥300,000)
|
|---|
| Keywords | 音楽 / 生演奏 / シンクロニー / 感情 / 身体運動 / 心拍 / 複雑性 / 時系列分析 / 演奏 / 心拍変動 / 生理的複雑性 / コミュニケーション / 同調 / 演奏科学 / 関数データ解析 |
|---|
| Outline of Final Research Achievements |
As shown in the words of "music is the language of emotions," one of the functions of music is "communication" of intentions and/or emotions to the receiver (i.e., the audience). In the present study, we explored time-series reactions of performers and audiences in a public-performance situation, where both the agents share the same time and place. Performers' bodily movements become inhibited, their heart rate and heart-rate variability increase, and their physiological complexity decreases, when they experience stronger anxiety in the public performance. The audience's time-series reactions as for bodily movement, perceiving emotional content, and heart rate are inhibited in the public performance rather than the recorded performance via speakers.
|
