Research on Gender Perspective on the Aspect of Intellectual and Cultural Linkage among Asia in Modern China
| Project/Area Number |
16510196
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| Research Category |
Grant-in-Aid for Scientific Research (C)
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| Allocation Type | Single-year Grants |
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| Section | 一般 |
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| Research Field |
Gender
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| Research Institution | Hitotsubashi University |
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Principal Investigator |
SAKAMOTO Hiroko Hitotsubashi University, Graduate School of Social Sciences, Professor (30205778)
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| Project Period (FY) |
2004 – 2006
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| Project Status |
Completed (Fiscal Year 2006)
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| Budget Amount *help |
¥3,400,000 (Direct Cost: ¥3,400,000)
Fiscal Year 2006: ¥1,000,000 (Direct Cost: ¥1,000,000)
Fiscal Year 2005: ¥1,000,000 (Direct Cost: ¥1,000,000)
Fiscal Year 2004: ¥1,400,000 (Direct Cost: ¥1,400,000)
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| Keywords | Gender / Intellectual Linkage / Pictorial / National Identity / Social Darwinism / Asia / Modern Girl / Eye / アジア観 / 思想文化連鎖 / 纏足 / 漫画雑誌 / 民族 / 翻訳 / 絵はがき |
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| Research Abstract |
I placed this study as a first step for reconsideration of modern Chinese intellectual and cultural history from the broader perspective of international and inter-Asian linkage of intellectuals and cultures, and also from gender perspective.
Specifically I have focused on how Chinese people who had visited foreign counties or reached out oversea Chinese frequently or been strongly affected by the Western books and their translations such as Luo Sen, He Ruzhang, Li Lixiaopu, Huang Qingcheng, Tan Sitong, Zhang Bing, Liang Shuming formed their eyes on foreigners on one hand. To analyze views on foreigners, I used not only literal materials but also visual materials such as post cards, posters, pictorials and modem cartoons. Using those visual materials also served as an important step to examine the representation of gender formed in connection with multilayered issues of national complex or identity and colonialism from the perspective of cultural linkage. Through this research I found modern Chinese people longed for civilization so much that they internalized social Darwinian nationalism in fear of invasion and got to concern Ainu people in Japan as negative example.
In respect of cultural history, I focused on the representation of the obscure Modern Girls who expressed themselves only by their bodies and their life style, and thus never been recognized as a steadfast social group in later 1920s and 30s, especially ones created by young avant-garde artists in their works of cartoons for pictorials, rather than the prominent people indicated above. The Modern Girls have few literal records, and could not be the target of history also from their being the existence which surpassed one national history conventionally. I examined the Modern Girls are nevertheless historically important because multicultural popular culture in big colonial cities with concessions such as Shanghai cannot be formed without them.
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Report
(4 results)
Research Products
(32 results)
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[Journal Article] 漫画表象に見る上海モダンガール2007
Author(s)
坂元 ひろ子
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Journal Title
研究代表者 : 舘かおる平成15〜18年度科学研究費補助金[基盤研究 (A)(1)課題番号15201057]『「東アジアにおける植民地的近代とモダンガール」研究成果報告書』(第9章)
Pages: 157-178
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[Journal Article] 解説2006
Author(s)
坂元 ひろ子
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Journal Title
中国映画のジェンダー・ポリティクス-ポスト冷戦時代の文化政治(戴錦華)(御茶の水書房)
Pages: 192-196
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[Book] 中国となる思想2008
Author(s)
坂元, ひろ子
Publisher
研文出版
Description
「研究成果報告書概要(和文)」より
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