| Project/Area Number |
16520070
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| Research Category |
Grant-in-Aid for Scientific Research (C)
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| Allocation Type | Single-year Grants |
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| Section | 一般 |
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| Research Field |
Aesthetics/Art history
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| Research Institution | Akita University |
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Principal Investigator |
YAMAMOTO Tatsuro Akita University, (Department of Education), Human Studies, professor, 教育文化学部, 教授 (30006572)
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| Project Period (FY) |
2004 – 2005
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| Project Status |
Completed (Fiscal Year 2005)
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| Budget Amount *help |
¥2,800,000 (Direct Cost: ¥2,800,000)
Fiscal Year 2005: ¥800,000 (Direct Cost: ¥800,000)
Fiscal Year 2004: ¥2,000,000 (Direct Cost: ¥2,000,000)
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| Keywords | haromonia / tonos / octav / Dria / Phrygia / Lydia / tetrachord / complete system / オクターヴ / プリュギアー / ダクテュロス / スポンディオン / 比 / 離接音階 / 連接音階 / メセー / 転位 |
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| Research Abstract |
In the both academic year I scrutinized and translated the DE MUSICA of Arisitides Quintilianus (Book one). This volume is the sincere explanation of Aristoxenus' "Elementa Harmonica" and "Elementa Rhythmica".
This volume is, however, full of disorderness because of auther's not-understanding on the theme. I corrected and re-organized it from the theoretical point of view.
It is the discourse of the system of notes that is theoretically, especially important. I extracted the process of the ancient greek Harmony's coming into existence from this esplanation.
One more important point is the explanation on ‘tonos' in the chapter 10 and 11. I scrutinized these chapters to draw the real meaning of ‘tonos'.
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