The "progressive" Schubert-Interpretation: Adorno, Schoenberg, Scherchen
Project/Area Number |
16H06920
|
Research Category |
Grant-in-Aid for Research Activity Start-up
|
Allocation Type | Single-year Grants |
Research Field |
Aesthetics and studies on art
|
Research Institution | Osaka University |
Principal Investigator |
|
Project Period (FY) |
2016-08-26 – 2018-03-31
|
Project Status |
Completed (Fiscal Year 2017)
|
Budget Amount *help |
¥2,990,000 (Direct Cost: ¥2,300,000、Indirect Cost: ¥690,000)
Fiscal Year 2017: ¥1,430,000 (Direct Cost: ¥1,100,000、Indirect Cost: ¥330,000)
Fiscal Year 2016: ¥1,560,000 (Direct Cost: ¥1,200,000、Indirect Cost: ¥360,000)
|
Keywords | フランツ・シューベルト / テオドール・アドルノ / アーノルト・シェーンベルク / ヘルマン・シェルヘン / 両大戦間期 / 作品受容 / 西洋音楽史 / シューベルト / シェーンベルク・サークル |
Outline of Final Research Achievements |
This project examines the activities of the composer Arnold Schoenberg and his circle in the interwar period as a turning point in the evaluation of Franz Schubert. In Vienna and Berlin, I examined some primary sources such as Schubert’s music containing several notes written by Schoenberg and manuscripts about Schubert’s symphonies written by the conductor Hermann Scherchen. Based on this research, I clarified their interpretation of Schubert and demonstrated their close relationship to Theodor Adorno’s essay on Schubert and postwar musical aesthetics.
|
Report
(3 results)
Research Products
(2 results)