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Akira Miyoshi's Composition Style : His Stylistic Formation by influential relationship between instrumental and vocal works and its significance

Research Project

Project/Area Number 18520101
Research Category

Grant-in-Aid for Scientific Research (C)

Allocation TypeSingle-year Grants
Section一般
Research Field Aesthetics/Art history
Research InstitutionMusashino Academia Musicae

Principal Investigator

NARAZAKI Yoko  Musashino Academia Musicae, Department of Music, Professor (50254264)

Project Period (FY) 2006 – 2007
Project Status Completed (Fiscal Year 2007)
Budget Amount *help
¥1,550,000 (Direct Cost: ¥1,400,000、Indirect Cost: ¥150,000)
Fiscal Year 2007: ¥650,000 (Direct Cost: ¥500,000、Indirect Cost: ¥150,000)
Fiscal Year 2006: ¥900,000 (Direct Cost: ¥900,000)
KeywordsAkira Mioshi / composition style / instrumental work / vocal work / 20th century music / opera / デクラメーション / 三善 晃
Research Abstract

I divided Akira Miyoshi's musical works into 5 periods as follows : I(1950s〜first half of 1960s), II(second half of 1960s), III(1971〜4984), IV(1985〜1994), V(1995〜).
I pointed out that in Ist period, Miyoshi, who considers sonata form as a symbol of European mind, composed works entitled sonata as follows : Sonata for clarinet, bassoon and piano(1953), Violin sonata(1954), Sonata for flute, cello and piano(1955). As for his orchestral works, we can recognize a tendency that they are not entitled symphony or evade symphony by involving solo instruments like Piano concerto(1962) and Concerto for orchesta(1964). Miyoshi's style appeared first in chorus work including Torse II(1961) in its creative declamation style which is recognized also in his later works.
After IInd period I indicate that vocal and instrumental sounds articulated words, for example, in Shiki-ni(1966), Ousonhuki(1970), in IInd period, in trilogy for chorus and orchestra(Requiem(1972), Shihen(1979), Kyomon(1984))in IVth period in, for example, Anata for three groups of chorus and piano(1989), in Vth in Three images for chorus and orchestra(2002). In Vth, concept and technique, which Miyoshi pursued in works for chorus and piano, instrumental ensemble or orchestra, is projected on relationship between solo instrument and orchestra or orchestration in tetralogy for orchestra (Dispersion ofl'ete(1995), The planet suspending ehoes(1996), Fruits de brume(1997), Final : Cueillage d'onde(1998)).

Report

(3 results)
  • 2007 Annual Research Report   Final Research Report Summary
  • 2006 Annual Research Report
  • Research Products

    (7 results)

All 2008 2007

All Journal Article (4 results) (of which Peer Reviewed: 1 results) Presentation (3 results)

  • [Journal Article] 三善晃(1933〜)におけるオペラ構想のゆくえ-1960年代後半の器楽作品と声楽作品の関係をめぐって-2008

    • Author(s)
      楢崎 洋子
    • Journal Title

      成城文藝 第203号

      Pages: 66-85

    • NAID

      110006935989

    • Description
      「研究成果報告書概要(和文)」より
    • Related Report
      2007 Annual Research Report 2007 Final Research Report Summary
    • Peer Reviewed
  • [Journal Article] The consequence of Akira Miyoshi's opera conception : Relationship between instrumental and vocal works in the latter half of the 1960s2008

    • Author(s)
      Narazaki, Yoko.
    • Journal Title

      THE SEIJO BUNGEI(The Seijouniversity arts and literature quarterly) Number203

      Pages: 66-85

    • Description
      「研究成果報告書概要(欧文)」より
    • Related Report
      2007 Final Research Report Summary
  • [Journal Article] Introduction to composition style of Akira Miyoshi : Relationship between instrumental and vocal works from 1950s to the early of 1960s2007

    • Author(s)
      Narazaki, Yoko.
    • Journal Title

      Bulletin of Musashino Academia Musicae Vol.38

      Pages: 37-55

    • Description
      「研究成果報告書概要(欧文)」より
    • Related Report
      2007 Final Research Report Summary
  • [Journal Article] 三善晃の作曲様式-1950年から1960年代前半にかけての器楽作品と声楽作品の関係をめぐって-2007

    • Author(s)
      楢先 洋子
    • Journal Title

      武蔵野音楽大学研究紀要 2006 第38号

      Pages: 37-55

    • Related Report
      2006 Annual Research Report
  • [Presentation] 三善晃におけるオベラ創作への道-器楽作品と声楽作品の関係をめぐって-2008

    • Author(s)
      楢崎 洋子
    • Organizer
      日本音楽学会東北北海道支部平成19年度第2回例会
    • Place of Presentation
      弘前大学
    • Year and Date
      2008-03-29
    • Description
      「研究成果報告書概要(和文)」より
    • Related Report
      2007 Final Research Report Summary
  • [Presentation] 三善晃におけるオペラ創作への道-器楽作品と声楽作品の関係をめぐって-2008

    • Author(s)
      楢崎 洋子
    • Organizer
      日本音楽学会東北北海道支部平成19年度第2回例会
    • Place of Presentation
      弘前大学
    • Year and Date
      2008-03-29
    • Related Report
      2007 Annual Research Report
  • [Presentation] The way to opera composition of Akira Miyoshi : Relationship between his in strumental and vocal works2007

    • Author(s)
      Narazaki, Yoko
    • Organizer
      The musicological society of Japan, branch office of Tohoku-Hokkaido, 2nd regular meeting 2007
    • Place of Presentation
      at Hirosaki University
    • Year and Date
      2007-03-29
    • Description
      「研究成果報告書概要(欧文)」より
    • Related Report
      2007 Final Research Report Summary

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Published: 2006-04-01   Modified: 2016-04-21  

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