| Project/Area Number |
18K00273
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| Research Category |
Grant-in-Aid for Scientific Research (C)
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| Allocation Type | Multi-year Fund |
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| Section | 一般 |
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| Review Section |
Basic Section 02010:Japanese literature-related
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| Research Institution | Hokkaido University |
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Principal Investigator |
Kashima Misato 北海道大学, 文学研究院, 専門研究員 (00609068)
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| Project Period (FY) |
2018-04-01 – 2022-03-31
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| Project Status |
Completed (Fiscal Year 2021)
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| Budget Amount *help |
¥3,380,000 (Direct Cost: ¥2,600,000、Indirect Cost: ¥780,000)
Fiscal Year 2021: ¥780,000 (Direct Cost: ¥600,000、Indirect Cost: ¥180,000)
Fiscal Year 2020: ¥780,000 (Direct Cost: ¥600,000、Indirect Cost: ¥180,000)
Fiscal Year 2019: ¥910,000 (Direct Cost: ¥700,000、Indirect Cost: ¥210,000)
Fiscal Year 2018: ¥910,000 (Direct Cost: ¥700,000、Indirect Cost: ¥210,000)
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| Keywords | 山東京伝 / 江戸座俳諧 / 柳沢米翁 / 前田春来 / 茶道 / 松平不昧 / 大黒屋庄六 / 扇屋宇右衛門 / 鴻池炉雪 / 酒井抱一 / 前田春来（二世青峨） / 東風流 / 大名文化 |
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| Outline of Final Research Achievements |
I considered the haikai activities of the Daimyo lord poet, Yanagisawa Beiou, who has a deep connection with Santo Kyoden, from the relationship with Beiou's haikai master, Syunrai Maeda (Nisei Seiga). I revealed that Syunrai aimed at Edo-za haikai based on Kikaku and Ransetsu's haikai style and greatly influenced haikai in Edo. In addition, I investigated the introduction of tea utensils in which Santo Kyoden's patron, Matsudaira Setsusen's older brother, Matsue Feudal Lord, Matsudaira Fumai, and Yoshiwara, and others were involved. From the tea utensils that appear in Santo Kyoden's "Tsugen Somagaki," it was found that his brother, Fumai, was also depicted as a model of the person who purchased the tea ceremony and that Kyoden had shared the culture with Fumai. Furthermore, it was revealed that Daikokuya Shoroku of Yoshiwara possessed the tea utensils Goshomaru and that cultural exchange through tea utensils was taking place in Yoshiwara.
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| Academic Significance and Societal Importance of the Research Achievements |
山東京伝の作品読解の鍵となる吉原文化圏を解明するため、山東京伝と係わりの深い大名俳人柳沢米翁の俳諧活動との調査を行った。大名俳人の重鎮であった米翁の俳諧宗匠は前田春来（二世青峨）を師としており、蕪村や存義ほど重要視されていない人物であったが、其角後の宝暦期の江戸俳壇においてその地位を獲得し、新しい江戸俳壇の流れを生み出すこととなる重要な位置を占めていたことを指摘した。さらに京伝の洒落本に描かれた茶道具から、松江藩主松平不昧や吉原者との繋がりを発見したことは、本研究の独創的な点となった。吉原を中心とした大名子弟の俳諧交友と茶道が当時の文化を形成していったことを指摘した。
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