| Project/Area Number |
19320029
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| Research Category |
Grant-in-Aid for Scientific Research (B)
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| Allocation Type | Single-year Grants |
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| Section | 一般 |
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| Research Field |
Aesthetics/Art history
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| Research Institution | Gakushuin University |
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Principal Investigator |
SANO Midori Gakushuin University, 文学部, 教授 (60178811)
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| Co-Investigator(Kenkyū-buntansha) |
SHINKAWA Tetsuo 学習院大学, 文学部, 教授 (90080374)
ABE Yasuro 名古屋大学, 文学研究科, 教授 (60193009)
HARAGUCHI Shizuko 富山県立大学, 工学部, 教授 (40208666)
YONEKURA Michio 上智大学, 国際教養学部, 教授 (70099927)
FUJIWARA Shigeo 東京大学, 史料編纂所, 助教 (40313192)
TAKAGISHI Akira 東京工業大学, 社会理工学研究科, 准教授 (80416263)
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| Co-Investigator(Renkei-kenkyūsha) |
織田 顕行 飯田市美術博物館, 学芸員
阿部 美香 昭和女子大学, 非常勤講師
加藤 みち子 学習院大学, 非常勤講師
島田 健太郎 学習院大学, 非常勤講師
小平 美香 天祖神社, 神職
林 東洋 芝浦工業大学, 高校非常勤講師
宮下 真理子 東京藝術大学, 非常勤講師
鴈野 佳世子 東京藝術大学, 教育研究助手
池田 美弥子
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| Project Period (FY) |
2007 – 2009
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| Project Status |
Completed (Fiscal Year 2009)
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| Budget Amount *help |
¥10,660,000 (Direct Cost: ¥8,200,000、Indirect Cost: ¥2,460,000)
Fiscal Year 2009: ¥3,770,000 (Direct Cost: ¥2,900,000、Indirect Cost: ¥870,000)
Fiscal Year 2008: ¥3,770,000 (Direct Cost: ¥2,900,000、Indirect Cost: ¥870,000)
Fiscal Year 2007: ¥3,120,000 (Direct Cost: ¥2,400,000、Indirect Cost: ¥720,000)
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| Keywords | 寺社縁起 / 掛幅縁起絵 / 祖師絵伝 / 仏教説話画 / 景観表現 / 物語絵画 / 宗教儀礼 / 絵解き / 景観描写 / 儀礼空間 / 在地 / 掛幅 / トレース図 / 勧進 / 景観 / 地誌 |
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| Research Abstract |
Through first-hand examination of original objects along with fieldwork at key sites, we have accumulated fundamental resources concerning large hanging scroll paintings of shrine and temple origin stories and hagiographies of sect patriarchs from medieval times. We have also deepened the scholarly debate concerning the production and reception of medieval paintings of shrine and temple origin stories through analysis of issues of subject matter and function, and the relationships between various painting techniques in other genres such as painted Buddhist tales, illustrated handscrolls, and Shinto-Buddhist syncretic images. Furthermore, we have created tracings based on first-hand analysis of original works. Since they reflect the close reading of fine patterns derived from the cooperation of artists and scholars, they have proved an effective research method, and the results have been put to use in exhibitions and publications. Lastly, we held an international symposium with scholars of Japan working in other countries, endeavoring to communicate key issues in medieval painting.
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