The Formation of a New Conception of the The Early Sui and Form of Buddhist Arts
| Project/Area Number |
19520091
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| Research Category |
Grant-in-Aid for Scientific Research (C)
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| Allocation Type | Single-year Grants |
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| Section | 一般 |
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| Research Field |
Aesthetics/Art history
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| Research Institution | University of Tsukuba |
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Principal Investigator |
YAGI Haruo University of Tsukuba, 大学院・人間総合科学研究科, 准教授 (90261792)
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| Co-Investigator(Kenkyū-buntansha) |
OZAWA Masahito 成城大学, 文芸学部, 教授 (00257205)
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| Project Period (FY) |
2007 – 2009
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| Project Status |
Completed (Fiscal Year 2009)
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| Budget Amount *help |
¥4,550,000 (Direct Cost: ¥3,500,000、Indirect Cost: ¥1,050,000)
Fiscal Year 2009: ¥1,560,000 (Direct Cost: ¥1,200,000、Indirect Cost: ¥360,000)
Fiscal Year 2008: ¥1,430,000 (Direct Cost: ¥1,100,000、Indirect Cost: ¥330,000)
Fiscal Year 2007: ¥1,560,000 (Direct Cost: ¥1,200,000、Indirect Cost: ¥360,000)
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| Keywords | 隋初期 / 仏教美術 / 統一様式 / 形式 / 地域性 / 中国 / 隋 / 敦煌莫高窟 / 統一様式、形式 / 階時代初期仏教美術 / 西安仏教造像 / 統一仏教美術様式 / 麦積山石窟 / 山東地方 / 北斉仏教造像 / 隋初仏教造像 / 河北仏教造 / 窖蔵 / 青州龍興寺文化圏 |
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| Research Abstract |
598 China was united again by Sui and the disruption of South and North was settled. But that did not bring the immediate unification of the style and form to the Buddhist arts. It was inearly Sui that local Buddhist arts with strong peculiarities began to the unified. Therefore we characterize the period with concept of the early Sui style and form of the Buddhist arts and, thus establishing a new conception of the period, we evaluate the meaningfulness of the period when the base was given to the formation of the unified style and form of Chinese Buddhist arts.
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Report
(4 results)
Research Products
(14 results)
